Dirty South Synth Loops

This explosive sound suite boasts a huge library of Crunk & Dirty South Synth Loops including high end Synth Loops created with that big platinum sound. We have designed this pack using all the leading synths currently on the market, including; Nord Lead, Virus TI, Moog, Motif, Triton & many more, all recorded in high definition audio, and available royalty free for instant download!

Check out the demo showcase to get a feel of what this pack has to offer! All the Synth Loops in the demo are from this sound suite, the Drum Loops are from our ‘Dirty South Drum Loops’ pack from our Dirty South Series!

Inside you will find an essential collection of the dirtiest lead synth hooks, massive chord progressions, hostile pads, and crunked out synth licks in a variety of keys and variations. If you’re looking to create epic Dirty South, Modern R&B, Hip Hop or Crunk Beats, then you’ve definitely found the right place!

This package has been recorded and engineered with great attention to detail, using high quality mastering equipment to give that extra punch and obtain maximum presence in your mix. We have taken the utmost care in engineering these loops to give a clean, crisp and seamless product.

Inject this platinum sound into your beats today, and hear the difference!

*Please note: This pack has been recorded using the Motif, Triton, Virus TI & Nord Lead, the Arturia Synth featured on the cover is for demonstration purposes only.

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Hip HopTools - Secret Stash

SECRET STASH is a serious utility for Hip Hop & R&B production. It will lift your music into a new dimension and add some spice to your compositions.

Secret Stash is a wicked sound library with over 450 single drum hits, FX and instruments. As with all sample libraries in version 2.1 this concept includes a solid foundation of drum hits. Kold snares, deep kicks, tight hi hats and smooth percussion make this library a valuable choice. Massive strings, killar keys, wicked winds and vinyl fx shine in true HHT style and are sure to be a samplers delight.

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Sonalksis.Creative.Elements.VST.v3.08-peace-out

TBK3 Über Compressor is a dynamics processor unlike any other. Beneath its simple interface lies a radical analogue modelled compressor that can be pushed much further and harder than you ever imagined possible. In essence TBK3 is analogue compression taken to the extreme.

TBK3 takes advantage of the digital domain to extend analogue circuit designs far beyond their normal physical capabilities, enabling a level of creativity not normally associated with this type of processor. Subtlety is definitely not a feature of this compressor.

This "Über Compressor" can be used to bring lackluster sound back to life, or to mutate audio into apocalyptic soundscapes.

Like the other plug-ins in the Sonalksis Creative Elements range, the TBK3 is designed to be efficient, intuitive and direct - and therefore very simple to use, providing great results with minimal effort.

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G-Sonique “XXL Bundle v1.0″ VST VSTi Pack

All the Instruments and Effects of the XXL Bundle by G-Sonique: Alien 303 VSTi -
Renegade Analog monster VSTi - XBass 4000 VST - Dubmaster Liquid Delay VST - Pultronic EQ-110P VST.

Alien 303 VSTi.

Another boring imitation of the classic 303 sound? No way!-
The Alien 303 synthesizer is primarily aimed at generating the ultimate psytrance bassline. Those hard punchy basslines which were always so difficult to create and fine-tune using any other synthesizer. We just made it simple!. Even though
the Alien 303 is based on the
vintage 303 concept, it offers many more features. The audio
spectrum of this synth has been designed to offer
the musician possibilities that are totally different from the other solutions. The Alien 303 delivers sharper, fatter and tougher sounds with a crispness that comes straight out of the
digital realm. Try the new features, like the precision of out special
digital oscillators, the unison/chorus emulator or the extreme non-linear saturator. When you are done being amazed at the fatness of the basslines you have created with
the Alien 303, you can start tweaking it to create razor sharp acid sounds and spooky melodies. Don’t waste your time trying to fine-tune your Psytrance bass with other synthesizers and try
the Alien 303 now!

Features:

- 10
digital and virtual analog oscillators (An.Saw, D.Saw, Saw HB, Saw DB, VNT Saw, An.Ramp, D.Ramp, D.Square, Square, Pulse)
-
Vintage virtual analog filter with resonance, sharp and organic sound.
- Unison/chorus effect
- Non-linear saturation unit
- PingPong stereo delay
- Amp/filter envelope
- Portamento

Renegade Analog monster VSTi.

The joining of two worlds - the digital and the analog. The
Renegade combines the warm and organic sound of
vintage analog synths with the sharpness, toughness and precision of
digital sound processing. Renegades design is based on the algorithms of DSP chips and the analog circuits of real hardware synthesizers. It includes special features like the Supersaw oscillator, serial combinations of vintage analog filters with clear-cut and robust
digital filters and the amplifier section which boasts internal clipping suppression and non-linear analog saturation. Renegade has been designed to supply tough, well defined lead sounds, fat basses and juicy organic analog sounds. The
Renegade is a very flexible synthesizer and can be used to create many types of music, but is most effective when used to create the following music styles: Trance, Dance, Drum and Bass, Breakbeat, Electro, EBM, Tek House, Psytrance and Goa. The
Renegade also includes more than 120 professional presets of various types including Bass, Classic, Leads,
Drum and Bass and Psytrance patches.

Features:

- 1x Supersaw oscillator with fat unison sound, 2 modes (Dual , Spread) spread amount knob (amount of unison detune)
and 15 different shapes of oscillator
- 2x
Digital and virtual analog oscillators with sharp sound, PWM modulation and Phase modulation knob.
15 different shapes of oscillator (Sine, W.Sine, Ab.Sine, An.Saw, D.Saw, Saw HB, Saw DB,VNT Saw, An.Ramp, D.Ramp,
D.Square, PWM Pulse, Triangle, Square, Noise)
- Free-running low frequency oscillator (shapes: Sine, Saw, Triangle, Square, Noise)
-
Vintage analog LP filter (based on real analog circuits from famous
vintage synthesizers) featuring a liquid, organic and
warm sound. Tracking knob.
- Virtual analog/digital filter with a sharp and precise
digital sound. 8 different types of filters and special G-Filters based
on algorithms from hardware synthesizers with DSP chips (
digital simulation of analog synthesis)
- G-Low pass Filter
- G-Band pass Filter
- G-High pass Filter
- LowPass Filter
- BandPass Filter
- HighPass Filter
- Notch Filter
- Peaking Filter
- Filter Velocity and Tracking
- Fast linear Filter envelope and Amplitude envelope
- LFO modulations: Cutoff, Phase 1/ PWM ,Phase 2 / PWM, Osc1, Osc2, Osc3
- Chorus / Unison stereo detune simulation effect.
- Ping-Pong Stereo delay
- Non-Linear Saturation Unit, Analog based amplifier section
- Preset manager
-
Digital algorythms written in C++/Assembler based on real analog circuits and codes from DSP chips.
- More than 120 Professional presets in the following categories: Bass, Classic, Leads,
Drum and Bass, Psytrance

XBass 4000 VST.

XBass 4000 is a new and unique VST effect plug-in designed to facilitate the maximization the bass frequencies. The virtual circuits of the XBass 4000 combine two different algorithms in order to emphasize the bass
spectrum of the track: - The psychoacoustic algorithm, BassEnhancer, that emphasizes the intensity of the audible bass content - An analog style saturation unit that enriches the bass
spectrum of the tone to reproduce the “fat” and “warm” sounds known and loved in
vintage tube circuits. It also boosts higher harmonic frequencies to expand and enliven the audible
spectrum as well as sub-bass
spectrum XBass 4000 is excellent for synthetic and acoustic basses and enriches kick-drums to give them the energy you need to drive your track. It sounds great together with our Psytrance bass synthesizer, Alien303. Use it in the following configuration: first XBass for the kick-drum and the second one for
the Alien bassline.

Features:

- A special distorted bass bell filter for a selecting the bass
spectrum that should be maximized. It is possible to select a wide
spectrum of bass frequencies – from the deepest sub-basses at 15hz to medium-bass frequencies. It’s also possible to set a Slope–Q range for the selected frequencies.
- A psychoacoustic circuit called Bass Enhancer that emphasizes the intensity of the bass
spectrum. It uses special algorithms to process sounds using psychoacoustic techniques.
- A saturation unit that emulates
vintage analog tube circuitry which gives the user the ability to adjust the amount of bass saturation and the volume of audible bass saturation.
- Control of the output volume
- Graphical dB meter showing the level of output volume

Dubmaster Liquid Delay VST

The Dubmaster - Liquid Delay is a new era in the
digital delay area. It brings the original, specific liquid sound that could never be heard from the classic Delay systems. Even though the internal structure of the Liquid Delay is very specific, it generated sound is still very musical, pleasant and natural. It fulfills your tracks with special atmosphere and add a very original sounds to your records. The Dubmaster - Liquid Delay is BMP synchronized delay with special feature called DubRhythm which allows you to set the smooth non-rhythmics distortion that makes the specific smoked sound known from Jamaica Reggae and Dub tracks. It includes all the necessary features for setting the wide
spectrum of various fascinating sound echoes: Delay Module for setting various number of stages 1-8, feedback amount, LR pan, Dry/Wet feature. The original, beautiful liquid sound is also generated by unique FX module called Liquid Phase. It’s a special modulation effect which combines specific phase modulator and flanger
It allows you to produce a wide spectrum of variously colored echoes - from crystal glittering sound through stoned Jamaica
vintage to total psychedelic twisted modulations that really surprise you. The Dry/Wet knob for adjusting the level of the effect is included as well, of course. The original liquid sound is also enhanced by filter unit with three analog modeled Low pass, Band pass and High pass filters with adjustable value of Cut off, Resonance and smoothly adjustable level of Drive, which makes the classic saturated distorted sound. In addition the Dubmaster - Liquid Delay also contains free running Low frequency oscillator which can modulate the filter by the Saw, Sine, Triangle and Square waves with adjustable level of rate and depth. The Dubmaster - Liquid Delay is recommended to be used on single FX channel together with additional reverb. It sounds great together with dub beats and percussions. It sounds beautiful with every acoustic guitar or piano. But the Dubmaster is not only the Raggae/Dub delay, it also sounds great in other musical styles from nu-jazz to abstract hip-hop, from pop to electronic music, breakbeat, psytrance or chillout. Excellent sound is also achieved in conjunction with virtual analog synthesizers, electronic SFX sounds or experimental
digital beats. If you want to make your tracks special go the Dubmaster way. Just try it.

Features:

- BPM Synchronized Dub Delay unit with Feedback, Pan and Dry/Wet control. Also includes special feature called DubRythm for smooth
non-rhythmical time distortions in classic dub/reggae style
- Module for set-up number of echo stages ( from 1 to 8 )
- Special FX module called “Liquid phase effect unit” with parameters like: Tone, Depth, Frequency, Jet, Dry/Wet and unique crystal clear liquid sound
- Virtual analog filter stage with Low pass, Band Pass, High pass filters with juicy liquid analog sound and classic parameters like Cutoff and Resonance + non-linear saturation effect with adjustable parameter Drive
- Free running Low frequency oscillator ( LFO ), which can modulate cutoff of filters with waves like Saw, Sine, Triangle and Square with adjustable amount of rate and depth
- Control parameters of Input and Output sound level and Bypass On/Off switch
- Preset manager
- Digital algorythms written in C++ / Assembler based on codes from DSP chips.
- More than 40 presets modeled for using with drums, percussions, guitars, bass and other instruments

Pultronic EQ-110P VST.

It is an emulation of the classic professional parametric vacuum tube equalizer from 50’s and 60’s. We programmed the Pultronic EQ-110P equalizer in the way that it can add real and hearable warm, color and dynamics of the vacuum tube devices into your music. Many frequency and amplitude analysis of input and output impulses from real vintage vacuum tubes were used during the development. These impulses were recorded via the real vintage devices which allowed us to achieve the excellent and realistic results. Thanks to this process you can choose from several algorithms which emulate the various vacuum tubes in order to
achieve the wide spectrum of the music colors. We put our rich experience with analog electronic devices into the development of this product so the virtual schema of the Pultronic is very similar to the real circuits of the electronic equalizers. The equalizer contains 4 parametric filters: Low frequency cut, Low frequency boost, Middle frequency cut / boost, High frequency boost These equalizing circuits allow you to “sweet” color of the sound as well as softly saturate it and emphasize the bass and treble frequencies. The parameters like Warmth, Saturation and Brilliance can be used to adjust the characteristics of the output amplifying vacuum tubes. The Pultronic equalizer EQ-110P is suitable for recording, tracking and mixing. Don’t hesitate to color your digital records with lovely&sweet as well as dirty&warm sound from the beautiful age of 60’s !!!

Features:

- 4 parametric filters with sweet coloring sound:
- Low frequency cut
- Low Frequency boost
- Middle frequency cut / boost
- High frequency boost

All with the parameters like gain, boost, cut, frequency, bandwidth.

- The unique emulation of input and output amplifying vacuum tubes which closely imitates the all features and advantages of the vacuum tubes like: tender softening and limitation of the sharp transients, to soften and to sphere the sound, to color it, to solid it and to warm it. This technology is capable of adding the wide spectrum of harmonics including the first harmonics to your records. 1st harmonics is something that is very difficult to simulate in the digital world and it is very rare in digital plugins!
- Parametres Warmth, Saturation drive a Brillance
- 2X Oversampling and anti alliasing algorythms
- 5 selectable Low frequency vacuum tube types for selecting the final sound character of bass spectrum:
- Class A Tube
- Warm tube
- Vintage tube
- Dirty vintage tube
- 12AX7 Tube
- 6 selectable High frequency vacuum tube types for selecting the final sound character of high frequency spectrum:
- 12AX7 Tube
- Classic tube
- Warm tube
- Class A Tube
- Vintage tube
- Dirty vintage tube
- Input and output vacuum tube volume stages
- Bypass on/off function
- Preset Manager

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IK Multimedia Arc System VST/RTAS v1.1.1

ARC System (Advanced Room Correction System) is a combination of a professionally calibrated measurement microphone, a measuring software application and a multi-platform plug-in that can be integrated with any DAW-based studio, capable of correcting the distortion caused by room acoustics and able to improve how a studio will sound forever.

ARC will improve any kind of monitor type in any room, at any level of quality, within any type of mixing environment. Not only will it improve the home studio, but even the most highly treated mixing rooms will benefit from ARC system using Audyssey's MultEQ technology. ARC features Audyssey MultEQ, which corrects for both frequency and phase response, not only for the engineer's 'sweet spot', but also for multiple points in the room. This solves many of the problems that have plagued room correction EQ systems since their inception. Other EQ systems only correct for frequency domain problems, which leaves the time domain to cause phase distortion and smearing. When you experience ARC's Advanced Room Correction System, the perspective of what you are recording, mixing or mastering becomes immediately clear and reliable; so you can finally trust the sound of your studio.

ARC System will correct acoustic problems for any DAW-based studio, dramatically improving the clarity, stereo imaging and frequency response, for faster, more reliable mixing.

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Sound Magic Red Wings Piano VSTi.v1.0-peace-out

The basic idea of Supreme Pianos comes from 3D graphic rendering. It uses Physical modeling to shape the sound's "skeleton" of the piano, and then maps a series of harmony components on to the skeleton to achieve an authentic sound.

Supreme Pianos does not rely on sampling, has a small memory footprint and low CPU usage making it ideal for live performances. Even on a Pentium III 533MHz system, it could work great while running under heavy duty. And on today's quad core system, Supreme Pianos could maintain CPU usage unnoticeable, according to Sound Magic.

Features:
* 256 stages / 40Hz Harmony Rendering Engine adds reality to the sound of physical modeling piano.
* Multi-Dimension Vector Synthesis technology reveals the power of Sound Magic's "next generation" Physical Modeling technology that is 20X faster than traditional physical modeling algorithm.
* Proprietary Real Dynamic Response System accurately represents real grand piano's non-linear dynamic response.
* Full repedalling feature accurately recreates the behavior between pedal up and pedal down.
* Proprietary 264-strings Sympathetic Resonance System reproduces comprehensive Sympathetic Resonances of a true Grand Piano.
* Optimal Coding for multi-core CPU leads to extreme low CPU usage and RAM usage. The CPU usage even lower than a sample player.
* Optimised for most MIDI keyboards.
* Full MIDI learn and automation.

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FXpansion Guru VSTi RTAS v1 6 12 AiR

GURU takes the best features of hardware beatboxes, drum samplers and loop manglers, and combines them into a unique, inspirational software instrument.

Whether integrated in to your DAW or running standalone, GURU's powerful sequencer with ultra tight timing and realtime groove adjustment is an intuitive and addictive interface with which to quickly write inspiring rhythmic foundations for your tracks.

High-quality built-in effects, including compressors, EQs, delays, reverbs are available right under your fingertips, as well as sample manipulation capabilities like reverse, bitcrusher, and resonant filters - all the power you need, whether you want to mangle your sounds or just tweak them.


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SN : FXGRU-01000-43595-ITNQH-TXFNI-DERZR

Musicrow Vintage Strings MkIII VSTi v1.1

Vintage Strings MkIII is a new super realistic virtual string machine that perfectly recreates the lush sound of analog string machines.

The string machine (also called string ensemble or string synth) was invented by ken freeman in 1970 as an attempt to replicate the sound of orchestral strings. It was so successful that it shortly became beloved instrument in its own right.

The distinctive sound of vintage string machines like the Arp Solina or the Crumer Performer can be heard on numerous music productions. It has been used by various musicians like: Pink Floyd, Air, Beck, The Eagles, Kraftwerk, The Cure, Joy Division, Josh Wink, Morrisey, Tangerine Dream, Keane, Japan, and New Order to name few.

Like these old machines, Vintage Strings MkIII is a synthesizer that was especially designed to produce rich warm string pads. It make no use samples, so any of its presets can be tweaked, and new ones can be easily created, making Vintage Strings MkIII as user friendly as it is toneful.

And now, The third version of Vintage Strings presents various new features that expand its sound capabilities and make it even better:

- The color control in the timbre section enables the creation of new beautiful choirs and pad sounds.
- In the envelope section you can now choose the analog envelope mode, for an accurate emulation of vintage string machines envelopes.
- The reverb section was completely revamped and now enables you to select between a smooth studio reverb and an authentic spring reverb.
- The new 7th buttons enables each strings section to play seven notes above the original pitch, for thicker string sounds.
- New user interface.

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Prime loops Pure Chronic Hip Hop Grooves

Prime Loops proudly present the realest selection of Hip Hop Loops set to hit the airwaves… expect the phattest hip hop string loops & orchestra samples, dope bass loops, hard hitting punchy hip hop drum loops, heroic horns, dark textures and much more!

This hip hop loops pack contains a chronic selection of potent hip hop grooves for producers, DJ’s and Mc’s looking to take over the world with the purest selection of multi-tracked Hip Hop Beats available!

Each layer has been intricately optimized, and expertly mastered to give you the biggest sound only fit for a hip hop king! Each Groove, or beat contains 7 – 20 matching loops at a specific tempo (Bpm) for example, Orchestra Strings, Drums, Bassline, pads and so on…these can be effortlessly, remixed, layered, and processed any way you wish. As with all Prime Loops releases, this hip hop sound suite is royalty free, so you can mix these loops into your original productions, and then sell your beats without having to worry about sample clearance or license fees. This pack contains pure, upfront & real hip hop grooves for the true hip hop soldiers….Check out the Demo Showcase to get a vibe for what can be found inside this pack…

With over 120 Loops of pure chronic content, these blazin’ grooves have been produced, engineered and mastered with real passion and are just waiting for that final touch. With deep moody vibes to straight up club bangers, this pack delivers the fire.

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T-RackS 3 Deluxe

T-RackS 3 Deluxe
Beyond Mastering
High-End Mastering & Mixing Suite

The new T-RackS 3 raises the bar again in high-end DAW mastering and mixing, with a suite of 9 analog modeled and digital Dynamics/EQ processors, full metering suite, an audio quality that is unmatched in software, and scores of new and unique features. All processors and metering module can be combined within the plug-in/standalone suite or are also available as individual plug-ins for more convenient mixing within your DAW, for a truly complete bundle of 12 superior sounding tools (10 individual plug-ins, plug-in suite, standalone suite).

Modular High-End Mastering/Mixing Suite of Dynamics and EQ processors, including:

• 9 processors comprised of 3 new analog and vintage emulations (including models based on the Fairchild 670 and the Pultec EQP-1A), 2 new digital processors as well the 4 classic, award-winning T-RackS processors
• New configurable mastering/mixing chain – run up to 12 parallel/series processors
• New complete built-in metering section with Peak, Perceived Loudness, Phase, and RMS meters, plus a Spectrum analyzer with Peak, RMS and Averaging indicators
• New standalone and plug-in versions available in the same package for use in all the most popular native DAWs
• All module processors and metering are also available as individual plug-ins for more convenient mixing within your DAW
• New high-fidelity oversampling with crystal clear transparency, for high quality audio processing throughout the entire signal path
• New SCC™ technology coupled with IK’s unique DSM™ technology provides the most realistic software emulation of vintage gear to date
• Extremely easy to use, with style-based presets, full chain visualization, one-click single module or chain bypass, “compare” function, multiple audio processing in standalone mode and much more

T-RackS 3 has all the tools you need to create superb, tube-toned or digital-tuned, mixes and masters. Its rich, warm sound combines new tube-modeled and state-of-the-art digital processors on top of its classic top-notch analog classics. A new modular chain gives you full control and easy navigation/compare features. A new complete metering section keeps all the most important variables of your sound under control. All processors can be used within the modular chain or in single instances for the most flexible processing available. A truly superior mastering and mixing system that will put a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task, and nothing sounds like T-RackS 3.

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Solid DrumLoops

Solid DrumLoops (WAV) ---- Loops | Wav | 69,5 MB
More than 100 real solid banging drumloops taking your songs right into the charts!




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SampleLoop Packs - by FatLoud

Over 350 samples and loops from FatLoud contains studio quali (ty 24-bit samples and loops in bangin’ club (hip-hop, r’n’b, pop) style, ready to use in Your productions. Both WAV and REX2 (RyCycle) formats give you full compatibility with software and hardware samplers.Most loops have been split into “main-loop” versions (contains main drums like BASSDRUM, SNARE, CLAP, HIHAT) and “hifx-loop” version (contains HIHATS, SHAKERS, SFX etc.)
Drum Loops, Electric Chords n Licks, Hits, Key Chords, Sone Shot Drums, Synth Loops !

File Size: 114.93 Mb

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Modernbeats Kosmic Klapz - Space Age Urban Claps

This astounding soundset, packed with over 235 space age clap sounds, is only available when ordering ModernBeats' new 'Hit Theory' music production ebook! The Kosmic Klapz soundset comes in 6 auto-loading software sampler formats. Styles include ModernBeats' own unique designs, plus styles modeled after Lil Jon, Trak Starz, Timbaland, Neptunes, Trackboyz, Dre, and more. "Kosmic Klapz" is organized into 6 multi-format presets:Claps Preset 1) Contains space age dirty south claps Claps Preset 2) Contains dark RnB textured claps Claps Preset 3) Contains straight up raw claps with modern twists Claps Preset 4) Contains more raw claps with modern twists Claps Preset 5) Contains wild urban klapz Claps Preset 6) Contains spacedout sci-fi style clapsKosmic Klapz features 6 multi-format presets that automatically load all 235+ claps samples into your software sampler of choice: Reason NN-XT (.SXT), EXS24 (.EXS), Kontakt (.NKI), Battery (.KIT), Halion (.FXP), Soundfont (.SF2), and WAV (.WAV). With 'Kosmic Klapz' there are many creative possiblities to get the hiphop style you desire. This free claps soundset is sure to inspire & enhance your productions!

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Home Recording Power, Second Edition

No other book focuses on the reality of doing home studio recording on a budget. "Home Recording Power!, 2nd Edition" helps readers release their creative genius by leading them through the ins and outs of setting up their own home recording studio.

Loaded with choices for how to go about setting up and doing home studio recording, the author, a practicing home recordist and audio programmer, creates a nice balance between practicality and the technical details behind the curtain. The book prepares readers by giving them all the start-to-finish information they need for any musical project, from conception to the final polished CD.

Ben Milsted has been tinkering with the home recording puzzle for two decades. He has set up numerous home recording studios and recorded his own music for years. His most recent project is the Daisies, a pop-folk-rock band on the independent Regress label, which was recorded using three different home studios. By day, he architects studio software applications as well as Web sites for SoundMAX. ©2003, 306 pages.

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Pro Tools All-in-One Desk Reference for Dummies

When you add Pro Tools to your home recording studio, you have the software used to create hit records. Throw in Pro Tools All-In-One Desk Reference For Dummies, Second Edition and you get the insight you need to capture your sounds, edit your tracks, create a mix, and master your songs for the world to hear. Add a generous helping of your own talent and you have the perfect recipe for music stardom.

This fantastic eight-books-in-one package introduces you to Pro Tools audio- and MIDI-recording software and clues you in on basic multitrack recording techniques. You'll get wise to Pro Tools' many features and functions and find out how top recording studios use them to create the biggest hits on the planet. This do-it-now handbook also gets you up to speed on the essential audio-engineering skills you need to make ultra-high-quality recordings. Discover how to:

* Navigate the Pro Tools windows and menus
* Save hours of experimenting and spend more time recording
* Master microphone placement and other home recording basics
* Edit errors out of your tracks
* Equalize (EQ) tracks and add effects
* Work with midi instruments
* Blend your sounds into a stunning final mix
* Assemble and release an album

Don't spend big bucks and many months taking classes in audio engineering and Pro Tools. Get eight quick-reference guides for one great price with Pro Tools All-In-One Desk Reference For Dummies, Second Edition and start recording your breakthrough album right away!


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The Sound Guy - Backwards Machine

The.Sound.Guy.Backwards.Machine.VST.v1.0.2-peace-out(pc only)
Backwards Machine includes the following controls:

REVERSER — This button controls whether you hear the reversed audio (according to whichever preset is selected) or the original (forwards) audio. The REVERSER button has been deglitched to avoid clicks when switching between forward and reverse playback.

TIME — This slider controls the delay time; i.e., the length of each audio window ("snippet"). The default is 2 seconds, which tends to sound better than very short or very long time settings. The TIME control has been deglitched to avoid clicks when adjusting the slider.

FEEDBACK DEPTH — This slider controls the amount of feedback. Often feedback is not needed for these effects, so the default is 0%.

WET MIX — This slider controls the loudness of the Backwards (wet / effect) sound.

DRY MIX — This slider allows you to mix in some of the (dry / non-effect) input signal. Often you will want to set this slider to 0% (the default), but this slider can be used if you want to hear some of the forwards sound along with the backwards sound.


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PASSWORD: audiopirate

Aether Reverb plug-in

Aether is an "Auto Randomizing Algorithmic Reverb Software plug-in".

Features and specification:

* Extreme precision floating-point engine - claimed to rival the best hardware reverb units available.
* "Impeccable" specifications in Space, Time, and Frequency response.
* Unique pervasive Auto-Randomizing scheme throughout the entire algorithm which keeps mixes sounding alive.
* Non-Exponential Decay curves for "lush" sound.
* Discrete Early Reflection and Late Reflection Engines.
* 33 Space Type Models.
* Over 250 factory presets ranging from sublime acoustic emulations to extreme sound-design ambiences.
* Reverb Decay Time range from 0.10sec to 120sec plus an Infinite Decay Mode.
* Frequency Dependant Decay Time Scaling.
* True Stereo and Hybrid Stereo modes.
* Coded in assembly and optimized with SSE for extreme efficiency.
* 4 sample latency. Suitable for use in tracking and performance.
* Supported Sample Rates of up to 192K.
* Intuitive futuristic GUI designed for maximum control and ease of use.

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PASSWORD: AuDiOpIrAtE

KEY TO SOUND - THE PRODUCTION PACKS AU/VST/RTAS

URL: http://www.keytosound.com
Description



The Production Packs a collection of four studio quality audio
mastering plug-ins available in AU/RTAS/VST formats, 64-bit, universal
binary and compatible with Windows Vista!

In the various studios I work Ive used most of the high end plugins
including McDSP and Waves, in both RTAS and VST versions. When I first
heard about KeyToSounds Production Pack, I thought it was another
generic compressor and EQ. What a surprise to me when I put vintage EQ
on Tim Hockenberrys vocals for the final song on his debut album (on
About/AG/Universal Records). Wow! The Essential Compressor can compete
easily with a vintage LA-2A or any of other software plugins. Id put
this compressor in a class by itself, its analog and precise and
sounds like a tube circuit. Very useful for vocals, guitars, drums...
just about anything. There is no other compressor like it on the
market. The Production Pack is a great set of tools for any engineer.
Great stuff!
Gabriel Shepard, Audio Engineer,
RIAA Gold and Platinum awards,
(Cake, Chuck Prophet, Sun Kil Moon, Howard Tate)

Dynamic EQ 1.0r4

The Dynamic EQ is a 64 bit, zero latency signal processor that
combines the functions of a compressor with the results of an equalizer.
The combination of these features gives the Dynamic EQ an advantage over
static equalizers in that it can respond in real time to signal input,
applying equalization when it is needed, rather than all the time.

Features:
- 4 bands with solo feature and individual metering
- threshold, ratio, attack, and release settings per band
- Frequency, bandwidth, and gain settings per band
- Global metering
- +12db gain output
- A/B setting switching
- MIDI CC learn

Essential Compressor 1.0r4

Need quick, precise compression? Youve found it.

The Essential Compressor is an extremely versatile and transparent
compressor, designed for the discerning engineer who does not want any
coloration or character added to the signal. The Essential Compressor lends itself perfectly for instruments ranging from classical
instruments to rock bass and drums.

Features:
- 64 bit
- responsive VU level indicator for input and output signal
- A/B preset switching capable of automated setting changes
- MIDI CC learn
- +/- 24db headroom


Precision EQ 1.0r4

The Precision EQ is your next go to EQ for precise equalization.
Featuring a FFT representation of either the input or output signal, you
can see your equalization results, even if your ears deceive you.

featuring:
- 64 bit precision
- 7 bands with Gain, Frequency, and Q settings
- 7 different types per band
- graphical drag and drop curve setting
- global output metering

Vintage EQ 1.0r4

Give your tracks an awesome vintage sound!

The Vintage EQ gets its name from the warmth and character you hear when
passing a signal through this EQ. Any seasoned mastering or recording
engineer will know that when using a digital EQ, such as the Precision
EQ, the frequency reponse appraches 0dB as the signal frequency
approaches the Nyquist frequency. The Vintage EQ does the opposite.

A very important element to this powerful EQ is that unlike its
competitors, the Vintage EQ does not use oversampling, since that would
require downsampling and pre-filtering (to avoid aliasing) which in turn
would ruin the sound.

The Vintage EQ features:

- FFT display of incoming and outgoing signal - 64 bit precision
- 7 bands with Gain, Frequency, and Q settings
- 7 different filter types per band
- graphical drag and drop curve setting
- global output metering

What's being said:

"In the various studios I work I've used most of the high end plugins including McDSP and Waves, in both RTAS and VST versions. When I first heard about KeyToSound's Production Pack, I thought it was another generic Compressor and EQ. What a surprise to me when I put Vintage EQ on Tim Hockenberry's vocals for the final song on his debut album (on About/AG/Universal Records). Wow! The Essential Compressor can compete easily with a vintage LA-2A or any of other software plugins. I'd put this compressor in a class by itself, it's analog and precise and sounds like a tube circuit. Very useful for vocals, guitars, drums...just about anything. There is no other compressor like it on the market. The Production Pack is a great set of tools for any engineer. Great stuff!"

Gabriel Shepard, Audio Engineer,
RIAA Gold and Platinum awards,
(Cake, Chuck Prophet, Sun Kil Moon, Howard Tate)


Download

Antares.Mic.Modeler.DX.v1.32-H2O

Microphone Modeler uses Antares' "Spectral Shaping Tool" technology to create digital models of a wide variety of microphones, from historical classics to modern exotics, as well as a selection of industry-standard workhorses. Simply tell the Microphone Modeler what microphone you are actually using and what microphone you'd like it to sound like.



Download

Violin Loops

Description:

These are some great Violin Loops, perfect for sampling or just using them.

This Kit Contains over 120 Violin Loops (Celtic, Classical, Country, Exlectric & Gypsy Violins)



Hardware and Software Compatibility:

Pro Tools, Cubase, CakeWalk, Adobe Audition,
Recycle, Sonar, Reason, Acid,
EXS 24, GigaStudio, SampleTank, Halion, Kontakt,
WaveLab, Sound Forge,
Vegas, FL Studio, Native Instruments, Cool
Edit, Akai Samplers, MPC 2000, 4000, 1000. Korg
Triton, Kurzweil K2000, 2500, 2600, ASR10, ASR-X,
Roland Samplers, MC 909, SP 808, MV 8000, Yamaha
Samplers, and anything else that reads wav files.

Download

Sound Advice on Compressors, Limiters, Expanders and Gates

Produce recordings that can compete in the musical arena! When used correctly, compressors, limiters, gates, expanders and other dynamics processors are essential tools for creating recordings that sound impressive and professional. They can turn an amateurish sounding recording into a smooth and impressive master mix, ready for replication. This information-packed book provides step-by-step instruction along with several excellent Tips, all aimed at showing you how to use these important tools like a pro.80 pages.

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The Classical Guitarist's Technical Handbook PDF

Scott Tennant, world-class classical guitarist and well-respected guitar eduactor, has brought together the most comprehensive technique handbook for the classical guitarist. In addition to technical information not available elsewhere, he has compiled selections from Giuliani's 120 Right-Hand Studies; musical examples by Bach, Turina, Rodrigo and others;Tarrega arpeggio studies; and original compositions by Andrew York and Brian Head.

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Sony ACID Loops - Underground Soundlab

Acid Loops - Underground Soundlab is open and spacious,
lush, detailed, and extremely elastic and phat.

Acid Loops - Underground Soundlab brings acclaimed producer
lukecage into the ever-expanding Sony Sound Series artist
roster with the release of the Underground Soundlab library,
an evolved collection of 21st century hip-hop sounds.
The Underground Soundlab collection will allow you to blend
straight rhythm section instruments with skillful vinyl
resourcing and advanced production techniques. The music
is saturated with classic funk and R&B references, and the
organization of all this fine content culminates in the
presentation of one packed, stacked, and royalty-free
collection with precisely the type of appeal that makes the
Sony Sound Series collection the best sound and best value
in the sample library industry today.

Sony ACID Loops - Underground Soundlab Features:

* 204 (463MB) loops

Hip-hop with unmatched levels of sophistication and fidelity.

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Antares Harmoney Engine VST, RTAS V1.0

Introducing Harmony Engine – Vocal Modeling Harmony Generator

The quickest, easiest tool for creating realistic harmonies.

From the company that revolutionized professional vocal production with Auto-Tune pitch correction technology, Harmony Engine is a real-time harmony generating plug-in that puts professional-quality vocal harmony arrangements within reach of any songwriter, producer, musician or engineer.

With four independent harmony voices, a variety of powerful harmony generating modes, humanization features for natural sounding performances, and a flexible real-time preset system for harmony and vocal type, Harmony Engine provides incredibly easy-to-use tools to quickly and easily produce virtually any vocal arrangement you can imagine.

Whether you're an experienced vocal arranger, a songwriter looking for that perfect backup vocal, or a composer experimenting with unique vocal effects, Harmony Engine gives you entirely new ways to create the harmony parts you hear in your head. In fact, experimenting with different harmonies is so easy (and, dare we suggest, fun), you may find yourself using Harmony Engine to explore harmonic alternatives you may have never otherwise considered.

Key Harmony Engine Features Include:

* Four high-quality, formant-corrected harmony voices with independent vocal character, vibrato, and pan settings

* Antares Throat Modeling technology that lets you process each harmony voice through a physical model of the human vocal tract

* A variety of innovative Harmony Control modes, from fully automatic to individual control of every note:

Fixed or Scale Intervals: Simply set the key and harmony voice intervals and let Harmony Engine do the rest

Chord Degrees or Chord Name: Define your harmony chord-by-chord, complete with inversions and variable vocal ranges

Chord by MIDI: Define your harmony in real time via a MIDI controller or pre-recorded MIDI track

MIDI Omni: Directly "play" the four harmony voices as if they were voices of a synth or sampler

MIDI Channel: Use four separate MIDI channels for absolute control over each note of your vocal arrangement

DOWNLOAD

Adobe Audition 3.0 Introduction and New Features

Adobe Audition 3

VSTi virtual instrument support
Enjoy support for a wider range of virtual instruments. Simply add a MIDI host track to your mix, choose an instrument, and then record new audio in the Sequencer.

Improved multitrack editing
Save time and increase accuracy by editing grouped clips together. Auto-crossfade clips in multitrack view to quickly mix files together. Click-and-drag fade handles on multitrack clips and in the Edit View for faster editing.

Enhanced spectral editing
Make a free-form selection in frequency space with the Effects Paintbrush and apply effects in varying degrees to that selection. Smooth over a selected region to automatically repair clicks, pops, and other noises using the Spot Healing Brush.

Top/Tail Views
Need a quick and easy way to tweak the start and end of a loop or other audio file? The new Top/Tail Views allow you to zoom into the beginning and end of a file so you can quickly add precise fades while keeping the whole file in view.

New effects
Adobe Audition 3 includes new effects such as Convolution Reverb, Analog Delay, Mastering tool, Guitar Suite, and Tube-modeled Compressor.

Superior performance
Get superior performance and take advantage of the new multicore processors. The optimized mix engine allows for more tracks and effects on the same machine, offering more variety and faster processing.

Buy Adobe Audition if:
You are a sound designer, musician, recording engineer, mastering engineer, or other audiocentric professional and you need an all-in-one toolset for professional audio production.

Buy Adobe Soundbooth if:
You are a designer or developer with little or no background in audio and you need an intuitive, easy-to-use software tool to help you quickly accomplish everyday audio tasks.

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www.adobe.com

Nomad Factory Essential Studio Suite VST-RTAS v1.5

No longer must you suffer with dry, lifeless tracks that lack the creative spark you need to stand out from the crowd. Nomad Factory’s Essential Studio Suite gives you the 9 most important plug-ins you’ll ever use.

This isn’t just marketing hype. All the necessities for both the studio novice and pro are here, from Multiband Compressor and Loudness Maximizer, to the Essential Channel, Graphic EQ, Gate/Expander and Compressor plug-ins. Come up with interesting effects for vocals and instruments with Tube/Tape Warmer and Retro-Vox. There’s also a Multiband Loudness Maximizer for getting the most volume out of your final mix, and Multiband Compressor for adding compression to the entire mix.

Whether you’re mixing down your multitracks to stereo, or mastering your final stereo mixes for CD replication, the Essential Studio Suite is packed with the kind of plug-ins that have proven essential for today’s music. And they’re easy to use because they were designed by musicians for musicians.

• E-3B Compressor
• E-3B Maximiser
• E-Channel
• E-Compressor
• E-Gate Expander
• E-Graphic EQ
• E-Maximizer
• E-RetroVox
• E-TubeTape Warmer

More info:Click here


DOWNLOAD

TPS Brass Section VSTi

Here is a VSTi that contains 24bit samples that will blow your ears out!
The quality here is unmatched. Containing 32 HI QUALITY BRASS patches,
TPS comes as a complete and non-HD-space-hogging VSTi that gives you
all the sounds you need to create a dynamic and realistic composition-
including falls, stabs, quintets, "fat" sections, and legatos! All of this at
24 Bits(!)and it doesn't need your whole hard drive to store it's sounds
& presets. Infact, some of the sounds are so lush and hi-quality you may
feel as though you don't have to apply any EQ!


DOWNLOAD

PASSWORD: SIN

Propellerhead Recycle 2.1

Loops, grooves and breakbeats: Powerful sonic building blocks, and
great inspirational triggers. No matter what style of music you’re
into, you can be sure there’s a loop out there that can spice your
track up a little, or even lift it to completely new heights. But
handling loops and grooves equals hard work. Hours of pitching and
stretching just to get a loop to fit your song’s tempo and timing.
And if you need to change the key, you’re in for even more work.
In the end, your loops are controlling you, instead of vice versa.
But help is on its way. From Propellerhead Software comes a suite
of programs that gives you full creative control over your looped
material!

ReCycle goes way beyond simply solving groove problems and cleaning
up your loop act, its a highly creative tool that helps you make
the most of your grooves. In simple terms, ReCycle lets you do with
sampled loops what you can do with beats programmed from individual
drum sounds – like alter the tempo, or replace sounds and process
them individually. ReCycle turns concrete-rigid loops into musical
modeling clay, allowing you, the loopist, to do pretty much what
you desire.

New in ReCycle 2.1

Mac OS X Support
True Windows XP Support
Multiple Undos
Full 24-bit resolution
Reason Adapted and Reload included


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Propellerhead's Reason 4.0

Propellerhead Reason 4 shows that it is possible to improve on an idea that completely revolutionized the way we make music on a computer. Reason 4 ups the ante by adding more devices and features that will inspire your creativity and streamline the process. Among the new enhancements are Thor, a synth that manages to pay homage to all synths that have come before while completely reinventing the synth at the same time; RPG-8, a rethinking of the arpeggiator from the ground up; and ReGroove, which adds a decidedly humanistic feeling to Reason 4's sequenced drums.

What's New?
One new feature that will quickly ease its way into your workflow is the new Tools Window, a floating window containing all your most frequently used tools. Using the Tools window, you can create new devices by choosing from a device palette, fine tune your sequencer data from the Tools pane, or set groove parameters using the groove pane. The device palette lets you drag-and-drop instruments and effects directly to the rack and place them just where you want them. The Tools pane contains all of Reason's sequencer editing tools, allowing for quick access to everything from Quantization to vector automation cleanup and legato adjustments.

The Combinator and NN-XT devices have both had minor revisions to make programming patches easier and more powerful. If you are not into making your own sounds, these changes may not mean much to you. The NN-XT has been given new features to edit multiple samples simultaneously, to chromatically auto-map samples and a new Group Mono function to let samples play polyphonically, but still be silenced by other samples in the same sample group. The Combinator now has a transpose function that transposes notes sent to a device. Other additions include performance data filters to stop certain types of data from being sent to a device, more flexible choice of Sources in the programmer and a function to automate the receive notes option, making it possible to switch between instruments in a Combinator patch.


Thor
Reason 4 boasts new instruments and tools to inspire your creativity and push sonic boundaries. Where other synths use one specific form of synthesis and one single filter, the Thor polysonic synthesizer features six different oscillator types and four unique filters, making Thor an unstoppable monster of a sound generator that utilizes synthesizer technology from the last 40 years. Six open filter and oscillator slots let you load up three different synth filters and three separate oscillators simultaneously, allowing you to dial in synth sounds that are completely new. An all-powerful modulation matrix gives you complete control over your signal flow, letting you modulate anything within Thor with anything within Thor. At the bottom of this synth sits an analog style step sequencer with more than one twist. Being every bit as modular as the rest of Thor's components, this step sequencer does more than just play melodies - use it as a modulation tool, trigger phrases from specific keys, create intense arpeggios, generate piercing percussion lines. With its unique selection of oscillator types and synth filters, the Thor polysonic synthesizer is a veritable synth museum. Thor may have one foot in history, but its sound is pure future.

RPG-8
Reason 4 ships with RPG-8, a brand new unit dedicated to the art of arpeggiation. With a wide range of on-panel controls and mode selectors, a pattern section for muting selected notes in an arpeggio and a large display showing values and positions, this device gives you full creative control over your arpeggios. Although very hands-on and user friendly, the RPG-8 boasts some very advanced features under the surface. Features that will change how you play Reason's instruments. The 'Single Note Repeat' function engages the arpeggiator only when two or more simultaneous notes are held down - letting you add sudden bursts of arpeggio to your melody lines. The 'Manual' mode will arpeggiate notes strictly in the order they were input, for realtime arpeggio control. The RPG-8 monophonic arpeggiator is a creative workhorse that can - and should - be used with all of Reason's sound sources; try arpeggiating your breakbeats, your orchestra samples, or your ReCycled vocals.

ReGroove
One of the most frequent complaints about sequenced music is that it doesn't have that human feel. The ReGroove mixer, Reason's own realtime groove management device, solves this problem. The ReGroove mixer in Reason 4 gives you more than just a set of sequencer swing parameters - this is a unique device dedicated to one thing: the groove. The ReGroove Mixer applies its timing magic non-destructively and in realtime, giving you freedom to adjust its settings - and fine-tune your groove - as your music is playing. And of course, Reason wouldn't be Reason without its huge Factory Sound Bank. The Sound Bank holds patches for all devices in Reason to help you get going instantly.

Reason
Reason is a full-featured music workstation that is only limited by your computer horsepower. You can literally stack instrument on top of instrument to create mind-blowing arrangements. Synthesizers, samplers, drum machine, ReCycle-based loop player, mixer, effects, pattern sequencer and more are all available to you, and load as many of each as your computer can handle. Reason is an infinitely expandable music workstation on a CD-ROM, complete with its own realtime sequencer. Reason is easily one of the most sought-after and used desktop musical environments available today.

Sound Modules in Reason:
Thor Polysonic Synthesizer
NN19 basic sampler
NN-XT advanced sampler
Malstrom granular synthesizer
Dr. Rex loop player
Redrum pattern-based drum machine
Subtractor analog subtractive synthesizer
Combinator unit for building chains of instruments, effects and pattern sequencers.

Effects units:
RV-7 digital reverb
DDL-1 digital delay line
D-11 foldback distortion
ECF-42 envelope-controlled filter
DF-101 chorus/flanger
PH-90 phaser
COMP-01 compressor
PEQ2 2-band EQ
RV7000 advanced reverb
Scream 4 Sound Destruction Unit
BV512 vocoder with 4 to 512 bands and equalization
UN16 unison

Sequencer, Mixer and Utility modules:
RPG-8 Monophonic Arpeggiator
ReGroove Mixer realtime groove console
Matrix pattern-based sequencer
Fully featured high precision multitrack sequencer
14 x 2 mixer w/ EQ and effects send/return
6:2 channel stereo line mixer.
Spider Audio Merger & Splitter
Spider Control Voltage Merger & Splitter
Remote mapping to external MIDI controllers and hardware control surfaces
Enhanced browser for searching, previewing and loading sounds and patches

Mastering Tools:
4-band, professional level mastering EQ
Stereo imager control with independent high and low band control
Stereo compressor with sidechain input, soft-knee mode and CV out
Loudness maximizer with switchable look-ahead and soft clip controls.

System Requirements:

Windows:
Windows XP or Vista
Processor: Intel P4 / AMD Athlon XP or better
Memory: 512 MB RAM minimum, 1 GB recommended
Screen resolution: 1024x768
2 GB free hard disk space
DVD drive
16-bit windows compatible audio card, preferably with
DirectX or ASIO drivers
Recommended: MIDI keyboard with built-in MIDI interface, or MIDI keyboard and MIDI interface

Mac OS:
Mac OS X 10.4 or later
Processor: G4 1GHz and up or Intel Mac
Memory: 512 MB RAM minimum, 1 GB recommended
Screen resolution: 1024x768
2 GB free hard disk space
DVD drive

Recommended:
MIDI keyboard with built-in MIDI interface, or MIDI keyboard and MIDI interface


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Steinberg Nuendo 3.2

Extensive set of new features for audio post production including AAF support, a new set of media management tools, Pinnacle X-Send integration, and Warp-to-Picture functionality, plus many new features for top-level recording studios and surround producers. One of the most powerful tools for any kind of media production.

It also offers a huge range of post-production tools and an extensive set of new features for traditional stereo audio production.

Import and export of AAF (Advanced Authoring Format) integrates the most modern project interchange format which is supported by companies such as AVID, Apple, Digidesign, SADiE, Merging, Fairlight, and Adobe.

Improved media management tools include user definable Event Attributes and Extended Search functions enabling users to setup and search their own audio databases; the convenient Renaming functionality allows for comfortable and quick renaming of multiple clips, regions and events.

New Warp to Picture feature allows lightning-fast matching of audio to picture, such as fine tuning of dialog replacement or aligning music to picture.
Seamless integration of Pinnacle Liquid video editing technology through X-Send project import from Liquid video editing applications.

New AFL/PFL functionality: pressing the L (Listen) button on any channel enables you to exclusively monitor channel signal on the audition bus with routing and the output to your mix bus remaining untouched.

A pull up/down 0.1% option is included in the QuickTime video player as well as the new DirectX player for adjustable speed of the video playback, allowing video files that have passed an NTSC Telecine process to be readjusted to match the original audio recordings
External FX plug-ins: Nuendo 3 offers direct integration of external hardware effects processors into the VST audio mixer, allowing you to use your favorite outboard gear just like plug-ins - including delay compensation.

MixConvert is a plug-in capable of translating from one surround format to another, all down-, cross- or even up-mixing is done automatically by MixConvert still leaving user options to optimize the new mix.

New event-based Volume Envelopes for direct control of dynamics make level editing even easier than before.

New MIDI device panels grant direct access to external MIDI hardware, allowing you to import VST Mixer Maps or create your own editing panels with direct access from the Track Inspector or the mixer's channel strip.

Integration of Studio Connections protocol developed with Yamaha allows for total recall of supported external devices such as mixers, audio interfaces or effect processors.

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Nuendo Manual

Cakewalk Rapture VSTi DXi RTAS 1.1

Combining power, elegance, control, and unbeatable sounds, Rapture is one of the most exciting synthesizers to hit the market in years. Capable of producing rich, hypnotic, and rhythmic basses, leads, and pads, Rapture is perfect for performing and designing the modern synthesized sounds igniting today’s pop, dance, and electronic music.

Raptures non-aliasing resampling engine technology sets a new standard for sound quality, and produces pristine, high-resolution rendering and playback. Its advanced modulation capabilities include over 40 Step Generators per patch, providing an intuitive interface for generating rhythmic sequences.

With its beautifully designed interface and extensive sound manipulation capabilities, Rapture is capable of producing the rich, hypnotic, and rhythmic basses, leads, and pads destined to put the spirit back into your music.

Rapture Highlights

*Wavetable synthesizer with advanced sound manipulation capabilities, well suited for electronica-related music styles

*Non-aliasing resampling engine technology for pristine sound quality

*Over 500 professionally crafted sound programs *Six fully-programmable stereo sound-generating Elements

*Oscillators with multi-waveform and ring modulation functions

*DSP stage of two 16-mode filters per oscillator with LoFi and Drive section

*Up to 42 EGs, LFOs & Step Generators for advanced parameter modulation

*Advanced MIDI Modulation Matrix

*Mix and modulate all Elements through global FX and dynamic Step Generator

*Ultimate sound expandability with native support for the SFZ family of sample formats

*Mac formats: AU, RTAS support for Pro Tools 7.x+, VSTi; Windows formats: DXi, DXi x64, RTAS support for Pro Tools 6.x+, VSTi

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Ultimate Zaytoven Kit

Description:
Here it is, the Ultimate Zaytoven Kit. This has all the authentic sounds that Zaytoven has in his collection. You may know Zaytoven for his trademark Snare or Chant... This kit has those included!

Download

GUITAR WAV SAMPLES MEGA PACK

GUITAR SAMPLES, INSTRUMENTS, AND LOOPS MEGA COLLECTION - WAVE MULTI SAMPLES. 60MB (HOT)

Download

Autogun by Image-Line (A universe of sounds!)

Enter an amazing and unexplored sonic universe, armed only with Autogun, search 4294967296 (Four Billion Two Hundred Ninety Four Million Nine Hundred Sixty Seven Thousand Two Hundred Ninety Six) presets for their acoustic potential.

But wait! If you listen to 1 preset, every second, 24 hours a day, it will take you over 136 years to complete this task. It’s clear you will need backup, and you have it, your fellow Autogun users. Every Autogun is set to start from a unique preset number, so that each member of the team is assigned a personal starting address, ready to explore. However, you can at any time, jump to a new location in the preset-space by simply entering a preset number.

Once a prized sound is discovered, and it’s preset number logged, share them with other Autogun users or import them into Ogun, for detailed study or further development.

With so many presets Autogun needs no programming, every sound is already somewhere 'out there' you just need to locate it, and you will, Autogun's sonic landscape is a sonic adventure.

Key features:

	Based on the Ogun synthesis engine
	Enhanced by the Soundgoodizer, maximization engine
	4294967296 amazing presets to explore
	Preset number copy/paste field
	Preset up/down buttons
	Volume control

Download

103 Ebooks for Musicians/Producers/Engineers..etc

103 eBooks On Music ProductionContains PDF, TXT & HTM files

15 Reverb Tips From Intermusic.com PDF20 Tips On Audio Recording With Computer Sequencers TXT20 Tips On Creating Realistic Sequenced Drum Parts TXT20 Tips On Mastering By Paul White HTM23 Compression Tips From Intermusic.com PDFA List Of FX And Filters And What They Do From Namn PDFAdvanced

Compression Techniques By Paul White HTMAdvanced Reverb By Paul White HTMAn Introduction to Mastering By Stephen J. Baldassarre HTMCD Mastering On Your PC Tools & Techniques By Martin WalkerComplete Guide to Drum Programming By Ray F Badness PDFCompression & Dynamics Processing Notes From Multimedian.comCompression In Audio Recordings from The Audio Pages HTMCompression Tips & Tricks From Hutch's Hints at Waves.com

HTCompressor Secrets By David Mellor TXTCraig Anderton`s 10 Tips For Guitar MultiEffects HTMCraig Anderton`s Putting Your Effects In Order HTMCubase Group Channels By Star HTMCubase Tips - Arrange To Perfection From Intermusic.com PDFCubase Tips - Tooled Up From Intermusic.com PDFEffective Drum Programming By Nicholas Rowland HTMEQ By The Octave By Robert Dennis HTMEQ Explained By David Mellor HTMEQ Masterclass From Intermusic.com

PDFEQ Tips from The Recording Website HTMEqualisation Tips By Paul White HTMGating Drums By Stacey T. Heydon TXTGetting More Bass In Your Mix By Paul White HTMGiving Your Recordings A Produced Sound By Paul White TXTGuide To Gating From Intermusic.com PDFGuitar Miking - Musician's Friend Article HTMRane Professional Audio Reference PDFReccomended Equalisation Frequencies By Robert Dennis

HTMRecording In One Room By Hugh Robjohns HTMRecording Techniques By Robert Dennis HTMRecording Vocals From Intermusic.com PDFReverb Basics By Hugh Robjohns HTMReverb For Beginners - No Author DOCRoland - Beginners Guide To Mixing PDFRoland Drum Machine Rhythm Dictionary PDFRun Your Own Record Label From Intermusic.com PDFSample CD Copyrights From Intermusic.com

PDFSoundcard Recording FAQ's Answered By Martin Walker TXTStudio Miking By Lyle Caldwell HTMStudio Sessions Part 1 - Delays From Intermusic.com PDFStudio Sessions Part 2 - Reverb From Intermusic.com PDFSynth Programming Guide By Intermusic.com PDFTascam - Optimizing W2k + XP For Audio PDFThe Art Of EQ By Aaron Trumm PDFThe Art Of Equalisation By Ethan Winer HTMThe Basics Of Quantising By Martin Walker TXTThe Big Squeeze - Compressors And How To Use Them By Paul WhThe

Complete Idiots Guide To Songwriting - Joel Hirschhorn PThe Design of an Audio Frequency Vacuum Tube Amplifier - TheThe In's & Out's Of Gain Structure By Martin Walker HTMThe Mysteries Of Metering By Paul White HTMThe Perfect Mix By Rich TXTThe Real Vocal Book PDFThe Shure Microphone Techniques For Music Sound ReinforcemenThe World Of PC Recording By Dave Casey Of TASCAM

PDFTSC Tech Talk - EQ Tips By Devin DeVore HTMUltimate Midi Guide From Intermusic.com PDFUsing Compression In Audio Recordings From The Audio Pages HUsing EQ - More EQ Tips By Paul White & Mike Senior HTMVarious Sampling Theory PDF'sWhat The Hell Is Mixing By Nigel Lord TXTWizoo Cubase Sx Mixing And Mastering Sample Chapter PDFXP Audio PC Tweaks By PC Audiolabs HTMAudio CD Mastering by Audiographics Unlimited & John Scrip HBerklee College - Course On Arranging PDFBerklee College - Music Production & Engineering -

PDFCubase SX 2 Project E-Book + Tutorial Files & SX2 Tips & TriCubase SX PDF'sHow to Achieve Depth & Dimension in Recording, Mixing and MaHow To Get Great Bottom End In Your Mix By Michael Cooper HTHow To Improve Your Stereo Mixing By Paul White HTMHow To Mix A Pop Song From Scratch By Jezar - Ver 2.0 PDFHow To Set Up A Good Mix By Duke Ashton HTMIncreasing Loudness In Dance Music Production By Paul WhiteIntegrating Mixing & Signal Processing By Craig Anderton HTMKiller Drums By Michael Laskow

TXTKLF - The Manual - How To Have A Number 1 The Easy Way PDFMake The Most Of Microphones From Intermusic.com PDFMic Placement on Drums From The SAE College Germany PDFMicrophones - Methods Of Operation & Type Examples By GerharMiking Drums By Staff Members of Midi Warehouse HTMMiking Jazz Drums By Gary Baldassari PDFMiking Live Drums By Gordy Gale HTMMiking Techniques By Barry Rudolph PDFMixing Programmed & Real Instruments Successfully By Sam IngMore Than You Ever Wanted To Know About Phasers by Fred RiddNative

Instruments Sampling & Re-Synthesis PDFPaul White Recording Guitar, Acoustic Guitar and Bass GuitarPhase Relationships By Ken Lanyon HTMPractical Studio Soundproofing By Paul White HTMProgramming Analogue Synths An Access Virus Tutorial By HowaPros Guide To Compression From Intermusic.com PDFCubase SX Power! By Robert Guerin PDFHome Recording Made Easy By Paul White PDFIntroduction to Digital Audio Signal Processing By Davide RoPro Enginner School Vol. 1 + 2 By Record-Producer.com PDFQuick Guide To Dance Music By Ian Waugh PDF

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