Showing posts with label Most Wanted. Show all posts
Showing posts with label Most Wanted. Show all posts

Tuesday, September 22, 2009

Sony Sound Forge 10 Audio Editing and Mastering

Sony Sound Forge Pro 10 software efficiently and reliably provides audio editors and producers with complete control over all aspects of audio editing and mastering. Whether in the studio or the field, Sound Forge 10 is an essential tool for media professionals who need to create and edit audio files with speed and accuracy. With new-to-the-series, precise, event-based editing, integrated disc-at-once CD burning, professional noise-reduction tools, and pristine audio time stretching, Sony Sound Forge Pro 10 delivers the ultimate all-in-one audio production suite for professional audio recording and mastering, sound design, audio restoration, and Red Book CD creation. Sound Forge 10 also includes Noise Reduction 2, plus the Mastering Effects Bundle 2 powered by iZotope.

Some product highlights:
Pristine sound quality: Sound Forge Pro 10 software supports full-resolution 24-bit and 32-bit/64-bit float 192kHz files for the ultimate in audio fidelity. Capture the subtle overtones and nuances of instruments, vocals, and effect changes.

Precise audio editing: Edit mono, stereo, and multichannel audio files (up to 32 channels) to the sample level in real time. Use familiar Windows commands to cut, copy, paste, mix, and crossfade audio. Drag audio between channels and work on one file while processing others in the background.

Powerful audio recording: Sound Forge Pro 10 software has a complete set of tools for recording audio. Record directly into your soundcard or use the Record Timer to begin and end a session at a specific time and date. Alternatively, you can start recording when a certain audio threshold is reached with Threshold Record Triggering. You can also record and edit multichannel audio files as easily as stereo files.

Effects processing: Apply over 40 professional studio effects and processes including Normalize, EQ, Delay, Chorus, Volume, Dynamics, Noise Gate, Pitch Shift, Flange, Vibrato, and more.

Zplane élastique Pro timestretch DirectX plug-in: Use the élastique timestretch and pitch shift plug-in for pristine audio quality. Choose from various stretching methods that are tailored to your source audio including Pro, Soloist, and Efficient modes. Monitor and adjust settings while previewing.

VST effect support: Native support of VST plug-ins, including parameter automation, expands on the number of effects you can apply to your audio, ultimately increasing your mastering flexibility.

Audio for video: Sound Forge Pro 10 software supports multiple video formats including AVI, WMV, and MPEG-1 and MPEG-2. Precisely synchronize audio and video frame by frame. Sound Forge Pro 10 software includes MPEG-2 templates for writing HDV-compliant files at 720p and 1080i resolutions and AVI templates using the CineForm CFHD codec for 720p and 1080i intermediate renders.

Event-based editing: Audio editing is more efficient and powerful with Sound Forge Pro 10 software. Quickly move and split events, create fades, apply ASR (attack/sustain/release) envelopes and crossfades within a single data window for more precision. Event-based editing provides an easier way to edit edges and fades and is ideal for precise audio mastering, assembling sketches of a project or to lay out tracks for authoring disc-at-once CDs.

Musical instrument file processing: Sound Forge Pro 10 software opens, processes, and saves DLS, GigaStudio/GigaSampler, and SoundFont 2.0 musical instrument files, allowing you to add effects and processing to existing samples.

Noise Reduction audio restoration plug-ins: Easily restore audio from LPs, cassettes, CDs, and more. The Noise Reduction 2 collection of plug-ins contains Noise Reduction, Audio Restoration, Click and Crackle Removal, and Clipped Peak Restoration. Use these to fix common audio problems such as tape hiss, clicks, and pops; salvage damaged recordings; and give new life to your audio.


Integrated disc-at-once CD burning: Sound Forge Pro 10 software includes fully integrated disc-at-once (DAO) CD mastering. Generate Red Book compliant disc-at-once premasters of your music suitable for professional replication. Perform full PQ code editing, create live-style CDs, add CD text and metadata, and use high-resolution source audio with precise conversion to Red Book audio. Integrated disc-at-once CD burning results in time savings and provides a more efficient workflow when assembling CD projects.

Acoustic Mirror software plug-in: Apply different environments to your audio including bridges, churches, concert halls, modern and classic microphones, and more.

Spectrum analysis tools: View frequencies and overtones of different channels within an audio file. The Spectrum Analysis tool shows multiple graphs depending on how many channels are selected. Analyze and see the fundamental frequencies and overtones in your recordings. Monitor audio and effects changes in real time, take multiple snapshots, and overlay views to compare and match frequencies of one file to another.

iZotope 64-bit SRC (sample rate conversion): Sound Forge Pro 10 software includes iZotope Sample Rate Conversion (SRC), which is a necessary process when converting material from one sampling rate (such as studio-quality 192kHz) to another rate (such as CD-quality 44.1kHz). iZotope SRC utilizes a hybrid low-pass filter design, resulting in pristine audio with less aliasing when resampling audio.

iZotope MBIT+ dither (bit-depth conversion): The best-sounding audio requires the highest sample bit depth. Sound Forge Pro 10 software includes iZotope MBIT+ dither. MBIT+ employs psychoacoustic methods to distribute noise into less audible ranges resulting in an improved sound and smoother fades.

Interactive Tutorials: Spend less time learning and more time mastering using the new integrated tutorials in Sound Forge Pro 10 software. These tutorials provide walkthrough demonstrations of common features and functionality, including DAO CD burning, vinyl recording and restoration for easy analog to digital conversion, and more.

Includes Mastering Effects Bundle 2, powered by iZotope: Powered by iZotope, the maker of world-class audio mastering tools, this powerful bundle includes six professional audio plug-ins: Mastering EQ, Mastering Reverb, Multiband Compressor, Mastering Limiter, Stereo Imager, and Harmonic Exciter. Use these plug-ins to expertly aster and enhance your audio.

Dolby Digital AC-3 export: Use Sound Forge Pro 10 software to export multichannel files in surround AC-3 format using the included Dolby Digital AC-3 plug-in.

Sony Sound Forge 10 Audio Editing and Mastering Software Features:

  • Processes
  • iZotope 64-bit SRC (sample rate conversion)
  • iZotope MBIT+ Dither (bit-depth conversion)
  • Auto Trim/Crop
  • Mute
  • Normalize peak or RMS level
  • Stereo Pan/Expand (supports mid-side mixing)
  • Graphic, Paragraphic, and Parametric EQ
  • DC Offset
  • Resample
  • Reverse
  • Graphic Fade with noise-shaping and dithering
  • Smooth/Enhance
  • Fade In/Out
  • Time Compress/Expand
  • Insert Silence
  • Volume
  • Invert/Flip
  • Bit Depth Converter (to 8-bit, 16-bit, 24-bit, or 32-bit)

    Effects
  • Includes Mastering Effects Bundle 2 powered by iZotope
  • élastique Pro timestretch and pitch shift DirectX plug-in
  • Resonant Filter plug-in
  • VST plug-in effect support
  • DirectX plug-in effects automation
  • DirectX Plug-in Manager
  • realtime effects previewing
  • Modeless audio plug-in Chainer
  • Acoustic Mirror environment simulator
  • Amplitude Modulation
  • Chorus
  • Distortion
  • Delay/Echo (Simple and Multi-Tap)
  • Graphic Dynamics
  • Multi-Band Dynamics
  • Envelope
  • Flange/Wah-Wah/Phaser
  • Gapper/Snipper
  • Noise Gate
  • Pitch Bend/Shift
  • Reverb
  • Vibrato
  • Wave Hammer Compressor/Volume Maximizer)

    Tools
  • Integrated disc-at-once CD burning
  • Includes Noise Reduction 2.0
  • Spectrum Analysis tool
  • Phase and mono-compatibility meters
  • Gracenote MusicID technology
  • Application scripting
  • Script Editor window
  • Batch conversion
  • Copy statistics to clipboard
  • Drag-and-drop CD extraction
  • Clipped peak detection and marking
  • FM Synthesis with envelopes
  • White, pink, brown, and filtered noise generators
  • Simple synthesis sweep
  • Auto Region (using beats and measures, or peak detection)
  • Crossfade Loop
  • Extract Regions
  • Find Tool
  • Preset Manager
  • Sampler Tool
  • Statistics Tool (Max, RMS, DC offset, Zero Crossings)
  • DTMF/MF Tone Synthesis
  • Envelope

    Editing/Workflow
  • Event-based editing
  • Musical instrument file processing (.DLS, .SF2, .GIG)
  • Metadata editing via new Metadata windows
  • Customizable window layouts
  • Floating window docks
  • Tabbed browsing for maximized data windows
  • Default fade types in Preferences
  • Custom selection grid lines
  • Interactive Tutorials
  • Multichannel file editing and processing
  • Interface color customization
  • Audio scrubbing tool
  • JKL keyboard commands for scrubbing
  • Customizable keyboard mapping
  • Project paths in rendered media
  • Realtime nondestructive editing
  • Simple drag-and-drop operations
  • Multitask background rendering
  • Media Explorer window
  • Undo/redo history
  • Docking windows

    Recording/Playback
  • Performance optimizations (global media cache)
  • Multichannel audio recording
  • Hardware meters with output gain control
  • ASIO driver support
  • Automated time-based recording
  • Audio threshold record triggering
  • Prerecord buffer
  • Auto calibration for DC offset
  • Generate SMPTE/MIDI timecode
  • Glitch/gap detection
  • Punch In option
  • Pre-roll to cursor
  • realtime record/playback meters (VU/PPM and standard)
  • Remote record function

    Regions and Playlists
  • Regions List and Playlist windows
  • Editing of fields
  • List sorting
  • Nondestructive playlist
  • Name markers, loops, regions
  • Trigger with sequencers
  • Trigger with MIDI event-generating devices
  • Trigger with timecode-generating devices

    Sample Editing
  • Pop-up MIDI keyboard to test samples
  • Sustaining loop
  • Release loop
  • Loop tuning window
  • Generate/receive MIDI timecode
  • SCSI/SMDI or MIDI/SDS sample transfer

    Timing Basis
  • Absolute Frames
  • Measures and Beats
  • Samples, Time, Seconds
  • SMPTE Drop/Non-Drop
  • SMPTE EBU/Film Sync

    Time and Frames
  • Encoding/Video Support
  • Enhanced Broadcast Wave Format (.bwf) support
  • Dolby Digital AC-3 export
  • Multichannel Windows Media format support
  • Video saving and render options (fast video resizing, deinterlace, source video resampling, and video stretching)
  • Windows Media 9 Series import and export
  • QuickTime 6 import and export, RealMedia 9 export
  • Support for 24 fps DV video files
  • Option to compensate for nonsquare pixels in Video Preview window
  • Display exact video frame animation above waveform
  • .MOV and MPEG-1 and MPEG-2 format import
  • External monitor support using DV and IEEE 1394 devices
  • Maintain perfect sync while working with full NTSC and PAL video
  • Sound and video synchronization with subframe accuracy
  • Various video and audio compression option

    Tools for ACID software
  • Publish to ACIDplanet.com
  • Create loops for ACID software
  • Assign root notes, number of beats, and tempo

    Disc-at-once (DAO) CD Layout and Burning
  • General Editing
  • Support for up to 32-bit, 192kHz source audio
  • CD Text support
  • Multiple levels of undo/redo
  • CD transport controls
  • CD image file rendering
  • Complete control over tracks, marker placements, and indices
  • Preview multiple tracks or ranges of audio before extraction from a supported CD device
  • Multiple file format support without conversion
  • Autosave crash recovery
  • Undo/redo history list
  • Supports MP3, AIFF, Ogg Vorbis, Windows Media Audio, and more

    CD Design and Mastering
  • Full PQ code editing support, including track and index positions and pause times
  • Over 20 realtime DirectX plug-ins
  • Set up alternate CD mixes in the same workspace
  • Audio scrubbing
  • Absolute times for replication
  • Print cue sheets and format CD liner notes
  • Up to 99 tracks
  • Up to 99 subindices per track
  • Smart track reordering
  • Automatic pause time indication
  • Relative times for liner notes
  • Timeline event locking
  • Adjustable pause times

    CD Writing
  • Burns disc-at-once premaster CDs for professional replication
  • USB, FireWire, SCSI, and IDE/ATAPI CD-R and CD-RW drive support
  • Overburn support of 80 minute and other size CD-Rs
  • Buffer underrun protection
  • Test burn mode
  • PQ list verification for Red Book compatibility prior to burn
  • Burn speed selection
  • Copy-inhibit flags
  • Pre-emphasis flags
  • Audio clipping detection
  • International Standard Recording Codes (ISRC)
  • Universal Product Codes (UPC)
  • Media Catalog Numbers (MCN)




beatuptracks.com

Monday, September 21, 2009

Korg Legacy Collection v1.9.9.VST-AMPLiFY.rar




The Korg Legacy Collection series are packages that contain software versions of classic Korg synthesizers. Delivering perfect replications of the original sounds while adding many new functions that open up fresh possibilities, these software synthesizers have received the acclaim that you would expect from Korg, the original manufacturer.


Proprietary CMT technology reproduces the circuitry performance of the original synthesizer
The Polysix, MS-20 and new Mono/Poly software synthesizers use Korg’s proprietary CMT (Component Modeling Technology) to perfectly reproduce their sound and response. CMT reproduces not only the sound but also the character and response curve of each parameter, so that the results are completely faithful to the original model. Finally the complex sound and parameter response can be perfectly reproduced, delivering all the power and subtlety that up until now only true analog synthesis could provide.

Mono/Poly software synthesizer
The Mono/Poly, a four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities as well as their price, these two instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as one of Korg’s best synthesizers, with a number of unique characteristics.

Polysix software synthesizer
The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day in dance tracks and remixes.

MS-20 software synthesizer
Since the MS-20 went on sale in 1978, this semi-modular monophonic synthesizer has enjoyed unbroken popularity for its thick and solid sound, aggressive analog filters, and inexhaustible potential for creative patching . It has become a "must-have" for modern dance and electronica artists, with original hardware units commanding a top price when found on the used market.

Use the MS-20, Polysix, and Effects As a Single Software Synthesizer
Legacy Cell is a completely new idea not available on any previous software synthesizer. It's a revolutionary "combination structure" that lets you use one of five different combinations of CMT-based synthesizers (MS-20 + Polysix, 2 x MS-20, 2 x Polysix, 1 x MS-20, or 1 x Polysix) plus two insert effects and two master effects --- all as a single software synthesizer that delivers powerful new sounds and textures!

Legacy Cell provides 256 different performance programs including controller assignments. The programs include spacious pads that shift over time thanks to the advanced modulations possibilities, fat sounds that take advantage of the new Unison parameter, and phrase-type programs that combine the MS-20 and Polysix software synthesizers to play a kick, bass, and pad from a single key. Korg's highly respected sound designers have created programs that match classic Korg sounds to today's music scene.


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PASSWORD: beatuptracks.com

Friday, September 18, 2009

IK Multimedia Amplitube Jimi Hendrix v1.0.3 VST RTAS Incl. KeyGen-DYNAMiCS



Hendrix’s sound is a unique mix of high volume, feedback control and a exclusive, personal usage of guitar effects which was a breakthrough for its time. By then Hendrix was one of the first guitarists to experiment with the full expressive possibilities of electronic effects, which were a fundamental part of his sound. Electronic effects were a technological novelty in the 60’s with semiconductor electronics in its infancy and the very first commercially available germanium transistors introduced in the mid 50’s gradually replacing tubes in the next two decades.
Features:
  • Includes models of extremely rare and collectible vintage stomp boxes, amp heads and cabinets such as Marshall® 1959 JTM100™ Super Lead, Fender® Bassman®, Fender® Dual-Showman®, Fender® Twin Reverb®, Roger Mayer™ Axis fuzz, Mosrite™ Fuzzrite®, Arbiter® Fuzz Face®, Roger Mayer™ Octavia, and more
  • A legendary sound that has marked the evolution of modern rock guitar and has influenced some of the greatest guitarists of our time
  • 5 separate modules: tuner, configurable Stomp pedal board, Amp head, Cabinet + Mic, and Rack Effects
  • 9 Stomp effects
  • 4 Amp models
  • 7 cabinet and 5 microphone models
  • 4 post-amp FX Racks
  • 2 fully configurable rigs
  • Digital tuner
  • Stand-alone and VST/AU/RTAS plug-in for all popular DAWs
  • Includes SpeedTrainer™ for playing along with your favorite recordings
  • Includes AmpliTube X-GEAR for seamless integration with all the other “Powered by AmpliTube” products, MIDI control and StompIO integration
  • Powered by AmpliTube® with exclusive DSM™ (Dynamic Saturation Modeling) technology for award-winning sound & realistic feel
Release Name: IK.Multimedia.Amplitube.Jimi.Hendrix.v1.0.3.VST.RTAS.Incl.KeyGen-DYNAMiCS
Size: 53.04 MB





beatuptracks.com

Saturday, September 5, 2009

Ueberschall Crunkzilla (Most Wanted List)


Background
Ueberschall delivers in this totally new sampling sensation comprised of Crunk-based grooves and shots. This mammoth release provides 2 GB of delights in the form of 40 construction kits ranging in tempo from 67 to 145 BPM.

Genuine flavor and trends from actual Crunk Music plus surrounding styles like Dirty South and HipHop. Kits include main and variation folders with all loops used to make the structure of the mix as well as single shot folders for the drum samples.

Crunk Method

Crunkzilla offers a jumbo variety of style accurate drum loops, synth patterns, bass lines, chord progressions, atmospheres, percussion and fx-sounds which can be painlessly bonded to one another. BPM information and root key (key signatures) are embedded in all loop file names, streamlining the selection process.

With the included Elastik Player content comes setup for direct use. Elastik also provides effects processing such as filter, pitch, reverse and others for each key in the Elastik interface. Instantly modify BPM, Pitch and Loop point settings for an ideal fit. Highly effective organization and tools to quickly develop new arrangements.

Get Crunkified!

Professional Use

• Songs / Mixes
• DJ / Club Sets
• Game Audio
• Film Score

Credits

Responsible for this Ueberschall production are:
Tuny Chris and Marc Steinmeier—A team that has collaborated on dozens of productions and remixes for headliners like Kanye West, Eminem, Christina Aguilera and others.

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RAPIDSHARE

FILE FACTORY

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LINKS ARE INTERCHANGEABLE

Friday, September 4, 2009

Guerrilla Music Marketing Handbook


There's never been a better time to be an independent artist. The rules have changed, and they keep on changing -- for the better. Artists have more power to control their own careers than at any time in history. But change and empowerment can be confusing (especialy when it comes to marketing and sales).

That's why you need this classic guide to low-cost, do-it-yourself music promotion -- now revised and updated for 2007.

With this manual, you'll discover that music marketing doesn't have to be expensive to be effective. Whether you're promoting a fast-growing indie label or a one-man or one-woman act from your basement, the Guerrilla Music Marketing Handbook gives you the tools you need to get the maximum bang for your buck!

As seen in the major motion picture The School of Rock ... and in VIBE, Music Connection, Electronic Musician and American Songwriter magazine

MORE INFO HERE

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Wednesday, September 2, 2009

Ableton Live Suite v8


Ableton Live is about making music. When you're writing and composing, Live is quick and responsive. When you want to record and develop your ideas, Live has the depth and toolset for intricate production. It's got the features to take your DJ skills to the next level and it's stable and flexible on stage, whether you're playing in front of 10 or 10,000 people. However and wherever you make music, whatever music you make, Live will inspire you.

Ableton Live Suite is the XL version of Ableton Live. Suite 8 gives you all of the features in Live 8 plus SOUND, with a radically new Library packed with beautiful new sounds and a wealth of useful resources. Suite 8 contains 10 Ableton instruments including synths, a sampler, electric and acoustic drums, mallets, numerous sampled instruments and the new, reworked Operator. Two completely new instruments, Collision and Latin Percussion, round off the set. Ableton Suite 8 is a complete package: the tools AND the sounds.

DOWNLOAD
PART1 *** PART2 *** PART 3 *** PART 4

PASSWORD: beatuptracks.com

EzGenerator.v3.0.0.36.Incl.Keygen-HAZE.rar


EZGenerator gives you a jump start when you want to create and maintain your own Web site. Based on an impressive collection of over 3000 Web template variations (all fully customizable) and an easy-to-use Wizard, you create a professional looking Web site in no time and upload them with the built-in FTP component to the Web hosting of your choice. EZGenerator is packed with features! In addition to creating your *entire* website, incl. all navigation, artwork, buttons and site map; EZGenerator allows you to include features like Blog/Photoblog/RSS to quickly post your thoughts or images. With the Podcasting/VideoCasting feature you start broadcasting your own content over the Internet. With our flash mediaplayers you can showcase MP3's and Video's (even directly streamed from YouTube or Google Video) and you can extend your planning and communications to a new level with the online Calendar. Ecommerce/Shop & Google Adwords will allow you to start making money with your website.

DOWNLOAD

PASSWORD: beatuptracks.com

Tuesday, September 1, 2009

Record Label Music Business Plan


Start Your Own Successful Music Company And Get Funding From Investors With A Professional Record Label Business Plan Template. Free Bonus Offers Included Such As The Musicians Upload Directory + A Big Music And Entertainment Business Contracts Package.....


More Info Here 

Monday, August 31, 2009

reFX.Nexus.v1.4.1




NEXUS is a next generation rom synthesizer of highest quality that
will make your dreams come true. Forget about the usual bread & butter
ROM synthesizers whose sounds are boring, stale and lacking punch.

NEXUS explores new territory and delivers complex, ultra-fat and
up-to-date soundstorms that could not sound any better from the most
expensive and best hardware - all at the tip of your fingers.

NEXUS provides you with everything you need to create the new hit. Do
you need the most powerful dance leadsounds to become famous in your
club or a Gregorian choir to create the atmosphere of the next trance
hit? Whatever you need, NEXUS will supply you with what you have
always been longing for.

Features like the freely programable arpeggiator, the versatile
trancegate or the factory-library optimized for the most popular
genres make this the best ROM synthesizer on the market.

Even though the sound is first rate, your CPU is spared. You can
expand NEXUS with new sounds by installing genre-specific expansion
packs or customize the look of the GUI with our themed skins.

Are you ready? You better be.

Both PC & MAC Versions

DOWNLOAD

PASSWORD: beatuptracks.com

Monday, August 24, 2009

Roger Nichols Digital Pack VST RTAS AiR



Roger.Nichols.Digital.DETAILER.VST.RTAS.v1.2-AiR.rar

Roger Nichols Proprietary Mastering Tool
Come into the Mix

Detailer is a stereo mastering process developed by Roger Nichols and used in countless hit records. Detailer offers a new way of increasing the perception of "detail" in the mid level of a final mix while still allowing increased loudness. The process involves a combination of three-band limiting and dynamic widening using psycho-acoustic processing. Roger Nichols has fine tuned the process to produce the most effective result with the least amount of adjustment.
Three is better than one

Detailer uses spectral harmonic detection and intelligent parameter adjustment to apply its innovative dynamic-widening processes only where and when it is useful.
Make it loud, please

Using the advanced limiting algorithms from our highly acclaimed Finis plug-in ensures maximum audio levels - if that is needed - while preserving audio dynamics. Using Detailer along with Dynam-izer will give you the loudest mixes on the planet, and leave your dynamics intact.
What you see is what you get

Roger.Nichols.Digital.DYNAM-IZER.VST.RTAS.v1.2-AiR.rar

The Fundamentally New Dynamics Processing Tool in Decades
Get In The Zone

Don't get confused - this is not multi-band compression. DYNAM-IZER is an entirely different beast. Why always apply the same compression to all audio levels? Compress the louder levels with a quick attack; expand the lower levels with a slow release and leave the mid level sounds alone. Try it with a traditional compressor - you won't get far. DYNAM-IZER lets you break your audio levels up into "zones" so you can control them exactly how you want. No one size fits all compression here.
What Are You Looking At?

Thought you knew compression? Think again. DYNAM-IZER lets you visualize compression in a way you've never seen before (no transfer curves here). Just like a graphic equalizer provides valuable information for your equalization efforts, so does DYNAM-IZER provide critical info for your compression efforts. No more shooting in the dark - just the info you need for total control.
That's The Key

DYNAM-IZER's compression meters indicate how your attack and release are affecting the compression. Cloud meters show you where your audio levels are concentrated. There's even a built-in "Auto-Limiter" for those times when you want to ensure your audio doesn't go in the red. Automatic gain compensation, look-ahead, and more. Click here to see the Full Feature List!
What you see is what you get

* RND Presets are now included as factory presets
* A new ? button has been added allowing quick acccess to the online manual.
* Dynam-izer now comes in two flavors. The brushed aluminum look, was updated with orange buttons, sliders and arrows to improve the visibility of important control points. An "elemental blue" color scheme is now also available. This choice was not only made available to satisfy customers preferences in color schemes, but when running several instances of Frequal-izer it can help to better distinguish which one belongs to which track.

Roger.Nichols.Digital.FINIS.VST.RTAS.v1.2-AiR.rar

Brick-wall Limiting & Loudness Maximization

We all know that unplanned digital distortion is bad news. Use Finis to control your audio levels and prevent distortion from rearing its ugly head. And when you need to give your audio more edge, Finis helps you maximize your audio's loudness. Even at extreme settings, Finis can control levels without audible distortion. Whether you just need to catch an occasional over or to increase the average level of your audio, Finis offers a flexible solution.
Psycho

Finis employs psycho acoustic limiting algorithms that analyze several aspects of your audio and, considering the way humans perceive volume levels, intelligently adjusts your audio levels to keep them under the maximum you have specified. To most effectively control your levels, Finis looks ahead of your audio, watching for any peaks that would exceed the maximum output level. It quickly decreases the level to bring the peak under the maximum, preventing distortion from occurring. Because Finis is a brick wall peak limiter, it will never allow the audio to exceed the maximum output level you have specified. Click here to see the Full Feature List!
Get Three for the Price of One

You want more control over the way a limiter behaves or "sounds". After all, the same limiting style doesn't fit every purpose. That's why Finis provides three distinct limiting algorithms - so that you can tweak the plug-ins limiting style to meet your needs. But Finis offers choice without complexity. You only need to interact with two primary controls to get the response you want. Using Finis is simple - in many cases it can just be activated, a few small adjustments to the Release or Reaction controls and it is done.
Peak, and RMS, and Crest Factor, Oh My!

What is a limiter without proper metering? Finis gives you all the metering you need to get the most from your limiting. To make sure that you don't lose sight of any aspect of your audio levels, Finis introduces an integrated Peak, RMS, and Peak hold meter. What's more, because limiting affects audio dynamics, Finis includes an innovative new Crest Factor meter. This meter ensures you don't kill your audio dynamics. Unless of course, that's the goal.
The World Of Limiting Just Got Brighter

Finis employs the most advanced psycho acoustic algorithms we know of. Great Tools don't need to have complicated user interfaces.

Roger.Nichols.Digital.FREQUAL-IZER.VST.RTAS.v1.2-AiR.rar

Linear Phase Mastering EQ & Matchmaker

FREQUAL-IZER builds a complex FIR (Finite Impulse Response) filter to your specifications. See the results of your EQ with the built-in spectrum analyzer. FREQUAL-IZER will not color your audio with the introduction of non-linear phase shift.
Meet Your Match

Ever wanted to make one track sound more like another? Need to bring together takes recorded in different spaces? FREQUAL-IZER's spectrum matching feature provides you with all this and more. Learn the frequency response of one audio source and apply it to another for technical adjustment or creative effect.)
All 50 States

Use FREQUAL-IZER's 50 States to store EQ's for instant recall or automation. Add, delete, copy, and move the EQ states you create or have FREQUAL-IZER intelligently "fill" empty states, morphing between selected EQ's. Working with States is a snap when you use the States Overview to visualize all 50 available states.
Features Galore

A comprehensive history and two workspaces allow you to easily compare and contrast different EQ's. Edit each channel individually or choose from four linking modes to designate how changes to one channel will affect the other. Scale, smooth, or sweep your entire EQ curve. Boost or cut your signal by +/- 18 dB. Customize the spectral display to only show what is of interest to you. Click here to see the Full Feature List!
FREQUAL-IZER brings creativity to linear phase equalization

Roger.Nichols.Digital.InspectorXL.VST.RTAS.v1.2-AiR.rar

A new approach to Analysis, Six professional Meters

Inspector XL (IXL) was designed to fulfill a number of familiar analysis tasks with professionalism, style, and finesse. Available as a series of interactive modules, Inspector XL includes six individual, thoughtfully designed plug-ins for: FFT, Spectagram and Third Octave Spectral analysis, flexible level metering, plus phase and correlation, balance, stereo imaging, and statistical clipping with overload analysis. From top to bottom, Inspector XL provides a comprehensive, flexible, and easy-to-use approach.
"I wish I had better meters ... I wish I had better meters ..."

How many times have you wished for larger meters? Change the color of your meters? More flexible meters? Or more standard meters than those available in your host DAW? Inspector XL's meters answer all of these needs and more. Amazingly configurable, infinitely usable meters you should not be without. Horizontal and vertical layout with customizable color, range, ballistics, zero reference, and so on. And still supporting standard level meter formats including K-System and IEC Digital PPM. Inspector XL has got you covered with professional meters you can use anywhere and everywhere.
Choices, choices, and more choices

If you like choices and who doesn't?, Inspector XL offers you plenty. Each module provides a range of color and configuration choices. Use the integrated, easy-to-use color picker to customize the color of your spectral analysis, phase scope or level meter data. Select from FFT, Spectagram, or ISO Third Octave spectral analysis to match your needs. Display all spectral data you need to see: Peak, Peak Hold, Average (or any combination) and choose the default Third Octave analysis data type. View phase in traditional XY or Vector modes or utilize RNDigital's intuitive Polar mode - each individually configurable, of course. Use standard meters if you want or stretch out and customize your Dow integrated or separate peak/RMS; customizable caution and warning zones; plus selectable primary meter type (peak/RMS) are just a few of the available options.
But, wait - there's more

Roger.Nichols.Digital.SPL-ICER.VST.RTAS.v1.01-AiR.rar

Multiband Processing with Singleband Plug-ins?

You know about signal processing: EQ, compression, distortion, reverb . . . and it’s a beautiful thing. But multiband signal processing, which divides a signal into different frequency bands and applies processing to each band individually, takes the concept to the next level.

Probably the most common example is multiband compression, which typically splits a signal into three to five bands. This is used a lot with drums and program material (e.g., a mixed stereo signal), because single-band compression has limitations. For example, with drums, suppose you feed the drums through a compressor and there’s a strong kick hit. That causes compression to occur, and it affects the high-frequency sounds as well, such as hi-hats. With multiband compression, you could put drastic compression on the low-frequency kick drum, while adding only a slight amount of compression (or none) to other frequency ranges. When used with program material, multiband compression gives a less ”squashed,” more transparent sound.

Other Uses

Vocals are often split into high and low frequencies, then delay is added only to the higher frequencies. Thus the sibilant-rich sounds have echo, while the lower notes do not. If there's a fairly dense instrumental background, this technique avoids muddying up the midrange - the vocal echoes "float" over the other sounds.

The SPL-IZER is an adjustable 3 band 24db per octave FIR (Finite Impulse Response) frequency splitter that allows the three bands to be isolated and routed to aux or instrument tracks for separate processing.

The use of FIR filters ensures that no phase shifting occurs at the frequency split points. With this tool, one can use for example ones favorite single band compressor (let's say uhm.. Dynam-izer) and make it 3 band.

Features

* Spl-izer features user adjustable frequency split point and audio levels.
* The low to mid split point can be set from 80Hz to 1475 Hz.
* The mid to high split point from 80Hz to 16kHz.
* The user can choose between using Hanning or Blackman windows.
* The various level meters feature RNDigital's proprietary +8db input meter
with peak and RMS level indicators.
* The direct output of the plug-in can be switched between Mute, Sum, Low Band,
Mid Band and High Band for instant monitoring.
* The three bands created by the the splitter each have their own level meter
and adjustable gain.
* The plug-in makes these signals available to your DAW as individual busses.

Roger.Nichols.Digital.UNIQUEL-IZER.VST.RTAS.v1.2-AiR.rar

A new approach to Equalization, Build the EQ you Need on the Fly
Go on, be the boss

Why work within the confines of an EQ configuration of someone else's choosing? UNIQUEL-IZER lets you determine your ideal EQ. If you ever need more bands or filters, they're just a click away. No need to swap out for another EQ or use another insert slot. UNIQUEL-IZER lets you be the boss.
Variety is the key

From standard to specialty filters, the unprecedented selection lets you be the master of your EQ. Use the 4 and 8 harmonic parametrics to remove A/C line noise (i.e. hum) or use the steep notch to remove unwanted tones. With 11 filter types available, there's a filter for every occasion.
Get Ready to Flex

Activate or inactivate filters on the fly or solo an individual filter to hear only its effect. Two workspaces allow you to compare EQ's to zero in on the ideal settings for your mix. Boost or cut your signal by +/- 24 dB. Zoom in on the filter graph for editing precision. Save your EQ's with integrated Save and Load. Import previously saved filters into your current EQ session.
Click here to see the Full Feature List!
Version 1.2 Updates

* Roger Nichols Presets are now included as factory presets
* A new ? button has been added allowing quick acccess to the online manual.
* Dynam-izer now comes in two flavors. The brushed aluminum look, was updated with orange buttons, sliders and arrows to improve the visibility of important control points. An "elemental blue" color scheme is now also available. This choice was not only made available to satisfy customers preferences in color schemes, but when running several instances of Frequal-izer it can help to better distinguish which one belongs to which track.
* The root frequency of the harmonics filters can now be adjusted in .1 Hz increments. Since A/C noise disturbances are not always at exactly 50 or 60 Hz.

System Requiremements
* Windows XP Compatible
* Requires VST, AU, or RTAS host

DOWNLOAD

PASSWORD: beatuptracks.com

Wednesday, August 12, 2009

Prime Loops - Dubstep Producer


Dubwise and Prime loops proudly present the ultimate Dubstep Sample pack ready to tear up the clubs - Dubstep Producer.

This essential song writing package has been optimised with the closest attention to detail, staying true to the sound with over 500 authentic, grimey, and downright nasty royalty free samples, including heavyweight drum loops, sporadic evolving music loops, upfront vocals, dark atmospherics and mind-blowing basses, all complimented by a unique and flavoursome hand crafted collection of pure dubstep drum samples to match. This is the real deal, and contains everything you need to create the infamous Dubstep sound that can be heard worldwide.

100+ Bass Tones, Stabs & Chords
100+ Music Loops & Drum Loops
150+ Drum Hits
100 + Vocals, FX & Dark Atmospheres
+ much more!

This huge sample pack has been created and maximised to the highest standards, exclusively delivered by top UK Dubstep producers in the scene today, and can be used to create a variety of styles including Bassline, Grime, 4x4, Garage, Drum n’ Bass, Hip Hop, Breaks and many more.

So what are you waiting for? Take your production to the next level and boost your sound library with Dubstep Producer.

~NEW LINK~

PART1
PART2


PASSWORD: beatuptracks.com

Friday, July 31, 2009

Cakewalk Studio Instruments v1.0_HYBRID


Can't play bass, drums, piano, or violin? No problem! Just point and click and you are making music. It's that easy!

Introducing Cakewalk Studio Instruments, the world's first easy-to-use and affordable software instrument collection for Mac and PC. Cakewalk Studio Instruments includes a high quality Drum Kit, Bass Guitar, Electric Piano, and String Section that can be played stand alone or inside your favorite music-making software such as Cakewalk Music Creator, Apple GarageBand, Magix Music Maker Deluxe, SONY ACID Music Studio, and more (see list below for complete list of compatible products).

Cakewalk Studio Instruments include pre-recorded patterns played by ace session musicians so you can build sections for your songs, practice, or just have fun jamming along.

And Studio Instruments sound great because they're from Cakewalk, makers of the most popular music creation software in the world, used daily by Grammy® winning musicians and producers. Start making music today with Cakewalk Studio Instruments!

Use it as a stand alone program or with your favorite Mac/PC music recording software like:
Ableton Live™
Apple GarageBand™
Apple Logic™
Cakewalk Music Creator™
Cakewalk Kinetic™ 2
Cakewalk Project5™
Cakewalk SONAR Home Studio™
Cakewalk SONAR Studio Edition™
Cakewalk SONAR Producer Edition™
Image Line FL Studio™
Mackie Tracktion™
Magix Music Maker™
Magix Music Studio™
MOTU Digital Performer™
SONY ACID Music Studio™
SONY ACID Pro™
Steinberg Cubase™ (PC Only)
MORE!—Works with most AU/VSTi compatible software


PART1


PART2

Tuesday, July 28, 2009

Yamaha Motif Drum Kit




KILLA BEAT PRODUCTIONS BRINGS YOU THE YAMAHA MOTIF DRUM SAMPLES.

KIT INCLUDES 527 ONE SHOT WAV SAMPLES : KICKS,SNARES,CLAPS,SNAPS,HATS,PERCUSSIONS.
DRUM SOUNDS THAT ARE GUARANTEED TO MAKE YOUR BEATS BANG!!


THESE SOUNDS WERE RECORDED AND INDIVIDUALLY PROCESSED BY PROFESSIONAL ENGINEERS USING PRO TOOLS FOR THE BEST SAMPLE QUALITY AVAILABLE.
ALL SAMPLES ARE IN 44.1KHZ/16 BIT WAV FILES FOR ANY HARDWARE OR SOFTWARE SAMPLER THAT WORK WITH .WAV FILES.

100 PERCENT EXCLUSIVE TOP QUALITY ROYALTY-FREE CUSTOM-MADE WAV SAMPLE KITS!!! THESE ARE NOT THE SAME OLD STOCK SOUNDS EVERY ONE IS SELLING ONLINE.
THIS IS THE REAL DEAL!!!


HARDWARE & SOFTWARE COMPATABLITY

PRO TOOLS, CUBASE, CAKEWALK, ADOBE AUDITION, RECYCLE, SONAR, REASON, ACID,
EXS 24, GIGASTUDIO, SAMPLETANK, HALION, KONTAKT, WAVELAB, SOUND FORGE,
VEGAS, FRUITY LOOPS, NATIVE INSTRUMENTS, COOL
EDIT, AKAI SAMPLERS, MPC 2000, 4000, 1000. KORG
TRITON, KURZWEIL K2000, 2500, 2600, ASR10, ASR-X,
ROLAND SAMPLERS, MC 909, SP 808, MV 8000, YAMAHA
SAMPLERS, AND ANY INSTRUMENT OR PROGRAM THAT
READS WAV FILES.

STEP YOUR GAME UP WITH THE PROFESSIONAL DRUMS & SOUNDS FROM KILLA BEAT PRODUCTIONS!


DOWNLOAD

Wednesday, July 22, 2009

WAVES MERCURY BUNDLE v5 ($13,900 VALUE OF PLUGINS)



A Flood of Plug-ins from Waves!

Waves Mercury TDM Bundle Features:
  • 91 processors, 200 plug-ins for total creativity and processing tour-de-force under one hood
  • Brand-new V-Series analog-modeling plug-ins
  • Tools for EVERY application: tracking, mixing, mastering, sound design, audio restoration, creative
  • Choice of processing style: transparent, surgical, analog, vintage - every processing flavor you can wish for
  • Cost Effective: Pay less than Diamond + Restoration + Transform; Have all the tools you need exactly when you need them.
  • Years of Research & Design excellence: doesn't your audio deserve the best?
  • WaveShell: means support for all popular plug-in formats and audio editors
The Waves Mercury Collection is the most comprehensive set of audio processing tools, now including Waves Diamond, Platinum , Restoration, and Transform bundles for a total of 91 processors with over 200 component plug-ins, forming your studio's processing core. The Mercury Collection reflects the unprecedented scope of Waves signal processing mastery, bringing to your studio the fruits of years of proven and award winning engineering excellence in audio. Select from a multifaceted array of tools for tracking, mixing, mastering, creative sound design, audio restoration; Puristic, analog-modeled, surgical tools, or sound bending, the Waves Mercury Collection has all facets.



Waves Mercury Collection TDM at a Glance:
  • Mercury introduces the new V-Series vintage EQ and comp/limiter plug-ins based on classic British consoles.
  • Includes Waves Diamond, Platinum, Restoration, Transform bundles, new MaxxVolume, and GTR Guitar Tool Rack and custom hardware


V-Series Analog Console EQ/Comp
The new V-Series plug-ins model classic British analog audio components in painstaking detail, making time-honored analog sounds available for the latest high-resolution digital environments. The V-Series consists of three elements, the V-COMP Compressor/Limiter, the V-EQ4 4-Band Equalizer and the V-EQ3 3-Band EQ. Each plug-in has been developed by careful analysis and measurement of rare original analog components. The original modules, which date from the early 1970s, possess qualities and subtleties that have never been more accurately modeled. Extensive measurement and listening tests confirm that the new V-Series plug-ins successfully emulate the originals in every detail. The V-COMP is a classic British-design feedback-based stereo compressor/limiter design with de-esser. The compressor features fixed ratio settings of 1.5:1, 2:1, 3:1, 4:1 and 6:1 with a fixed attack time and adjustable recovery time, with automatic make-up gain. The limiter also has adjustable recovery time including an "auto" setting and variable threshold.

The equalizers feature a silky-smooth and crystal-clear HF sound even at high levels of boost, and fat, well-rounded low end, while the mids can be used to add presence and fine-tune without introducing harshness. The V-EQ4 emulates a classic 4-band console equalizer with HF bell/shelving switch and multiple HF center frequencies. Two midrange controls are included, both with high/low Q switching. LF includes bell/shelving switching, as well as multi-frequency highpass and lowpass filters. The V-EQ3 models two highly regarded 3-band console EQ modules with continuously variable boost and cut at three bands, particularly suited for vocal, midrange and bass frequency control. In addition, there is also a High Pass Filter.


Diamond, Platinum, Restoration, and Transform Bundles
The Mercury Collection introduces the new Waves V-Series emulation of vintage EQ and comp/limiter technology. It also introduces MaxxVolume, a stunning all-in-one dynamics processor. Mercury includes the entire Diamond bundle; the acclaimed L-Series Ultramaximizers and Multimaximizers; and GTR Guitar Tool Rack and custom hardware, the ultimate in guitar sound technology developed in conjunction with Paul Reed Smith Guitars. Mercury also features the complete 360° Surround Tools collection of 5.1 surround processors; Waves Tune pitch correction and transformation plug-in and the DeBreath automatic breath eliminator; IR1 and IR360 parametric convolution-based reverberation systems; and Z-Noise, for advanced dynamic noise reduction. And that's not all: Mercury also includes the complete Renaissance series of world-class signal processors as well as Q-Clone for hardware equalizer modeling. There's the X-Series of
archive restoration tools including X-Click, X-Crackle, X-Hum and X-Noise; the Transform Series and an extraordinary number of additional sound processors including MaxxBass MondoMod, MetaFlanger, S1 Stereo Imager, TrueVerb and much, much more. From timedomain effects to equalizers, from dynamics control to noise reduction, from guitar sound modeling to the sound of classic analog components, there has never been such a comprehensive collection as this.

The Waves Mercury Collection offers more effects, more channel components, more mixdown tools and more processors than ever before in one place!

DOWNLOAD
Part1 - Part2 - Part3 - Part4

PASSWORD: beatuptracks.com

Monday, July 6, 2009

Rob Papen ALBINO 3.0.2 + Preset Pack



After much anticipation, it has finally arrived, The Albino 3. Anyone who is anyone in the music industry would have come across this tool. Rob Papen has upgraded his already infamous VST, to a solid sound machine.

This very unique synth stole the hearts of many musicians due to its high quality sound, usability and inspirational presets.

Now, Albino 3 has arrived. There are loads of amazing new creative features added like the two new filters "Scream" and "Comb"; four FX units with new FX like LoFi and WahWah; a Compressor and an improved Reverb.

But the biggest new feature is that you can layer up to four instances of Albino in a single preset.

It looks great and sounds awesome. Safe to say people will be cutting throats to get their hands on this puppy....

Albino

Key features:

  • Sound Presets consist of 4 separate Layers for rich, complex sound synthesis.
  • 32 note polyphonic (CPU dependent).
  • Unlimited sound programs, Sound Browser.
  • +2100 Rob Papen presets and more.
  • 4 oscillators per Layer, 4 types. Oscillator modules include Analog-type, Digital-type, Noise-type and Audio Input-type. FM modulation and AM modulation. Oscillator Sync in Analog Oscillator 2 and 4.
  • Stereo Filters, 4 types. Filter modules include Silk-type, Cream-type, Scream-type and Comb-type. 3 multimode filters (Silk, Cream and Scream), each with a different basic design thus producing different sounding filters. Filters are stereo with panning and panning modulation options.
  • Saturation knob precedes each filter to add overdrive to the sound before it enters the filter. Four types of Saturation are available.
  • 8 envelopes, 2 types. ADSFR type and 5-stage envelope type with loop function. Each envelope stage has separate slope/curve settings. Each oscillator has its own volume envelope.
  • 4 LFOs with various waveforms and midi-syncable. LFO Waves have adjustable start-phase and waveform-symmetry. LFOs can also be set to mono mode.
  • Modulation Matrix which includes 16 routings with 27 sources and 36 destinations. Separate control section for Velocity to: AMP, Filter 1 and Filter 2.
  • Arpeggiator with 32 step rhythm sequencer, step length, clock settings, various modes including modulation and chord, switchable keyboard retrigger, swing, velocity mix, save/load functionality.
  • Spread function for each Oscillator for ultra fat detuned sounds.
  • Chord memory mode (saved with the preset).
  • 4 effects units per layer each containing 12 stereo effects including two Choruses, two Delays, Filter, Phaser, Reverb, Flanger, Gator, Wah Wah, Compressor and LoFi.
  • Mono/Polyphonic Portamento/Glide featuring Fingered mode, switchable constant Time/constant Rate and Auto-Bend Modes.
  • Sound programs are stored directly on hard disk so providing a virtually unlimited number of storage locations. Sounds are sorted into style-maps for easy search. Integrated Sound Browser, MIDI program change and bank change supported.
  • Adjustable Precision setting for recreating the warmth of true analog synthesizers
  • Gen (randomize) function for experimentation and preset fun.
  • Microtonal support (Scala file import) for different scales (Indian, Arabic, etc.).
  • Adjustable keyboard velocity response curve.
  • Adjustable voice limit (mono, 1...12, oo).
  • MIDI activity display (also triggers a C3 when clicked).
  • Several parameters are located on the "rear panel" so they are not changed accidentally during use.
  • Controller hardware (faderbox or synth) settings can be saved and restored.
  • Dial operation is switchable between circular and linear modes.

DOWnLOAD

PASSWORD: beatuptracks.com

Thursday, July 2, 2009

Beta Monkey - Double Bass Mania II


Double Bass Mania II: Extreme Metal Drum Loops and Samples

Louder. Faster. Heavier. Double Bass Mania II: The Return of the Beast takes it over the top with a relentless onslaught of fast and furious double bass grooves. With 800+ double bass grooves, groove variations, fills, one shots, and samples, Double Bass Mania II stands alone as the brutal choice for creating the heaviest of heavy metal tracks. Whether you need modern metal grooves in the vein of Lamb of God, Shadows Fall, and Children of Bodom or the old-school aggression of Slayer, Pantera, and early Metallica, Double Bass Mania II is designed for one thing: to pound out the relentless rhythms of your next metal track. In a world of pretenders, Double Bass
Mania II is unsympathetically metal and nothing less.

Double Bass Mania II is all about power and speed. With a cohesive collection of grooves spanning tempos from 75 BPM heavy rock to 300 BPM metal blasts, the disc will satiate any metalhead’s need for speed and brutality. If you're a metal guitarist, bassist, or songwriter, Double Bass Mania II: The Return of the Beast will quickly become the weapon of choice in your arsenal. Metal drummers will also find the loops an invaluable source of inspiration and education as well. No matter what your goals are - writing demos, recording a future CD release, or expanding your metal chops - Double Bass Mania II opens the doors to all things metal.

PART 1

PART 2

PART 3

PART 4

PASSWORD: beatuptracks.com

Tuesday, June 30, 2009

Dirty South Synth Loops

This explosive sound suite boasts a huge library of Crunk & Dirty South Synth Loops including high end Synth Loops created with that big platinum sound. We have designed this pack using all the leading synths currently on the market, including; Nord Lead, Virus TI, Moog, Motif, Triton & many more, all recorded in high definition audio, and available royalty free for instant download!

Check out the demo showcase to get a feel of what this pack has to offer! All the Synth Loops in the demo are from this sound suite, the Drum Loops are from our ‘Dirty South Drum Loops’ pack from our Dirty South Series!

Inside you will find an essential collection of the dirtiest lead synth hooks, massive chord progressions, hostile pads, and crunked out synth licks in a variety of keys and variations. If you’re looking to create epic Dirty South, Modern R&B, Hip Hop or Crunk Beats, then you’ve definitely found the right place!

This package has been recorded and engineered with great attention to detail, using high quality mastering equipment to give that extra punch and obtain maximum presence in your mix. We have taken the utmost care in engineering these loops to give a clean, crisp and seamless product.

Inject this platinum sound into your beats today, and hear the difference!

*Please note: This pack has been recorded using the Motif, Triton, Virus TI & Nord Lead, the Arturia Synth featured on the cover is for demonstration purposes only.

PART 1

PART 2

PART 3

PASSWORD: beatuptracks.com

Friday, June 19, 2009

Adobe Audition 3




VSTi virtual instrument support
Enjoy support for a wider range of virtual instruments. Simply add a MIDI host track to your mix, choose an instrument, and then record new audio in the Sequencer.

Improved multitrack editing
Save time and increase accuracy by editing grouped clips together. Auto-crossfade clips in multitrack view to quickly mix files together. Click-and-drag fade handles on multitrack clips and in the Edit View for faster editing.

Enhanced spectral editing
Make a free-form selection in frequency space with the Effects Paintbrush and apply effects in varying degrees to that selection. Smooth over a selected region to automatically repair clicks, pops, and other noises using the Spot Healing Brush.

Top/Tail Views
Need a quick and easy way to tweak the start and end of a loop or other audio file? The new Top/Tail Views allow you to zoom into the beginning and end of a file so you can quickly add precise fades while keeping the whole file in view.

New effects
Adobe Audition 3 includes new effects such as Convolution Reverb, Analog Delay, Mastering tool, Guitar Suite, and Tube-modeled Compressor.

Superior performance
Get superior performance and take advantage of the new multicore processors. The optimized mix engine allows for more tracks and effects on the same machine, offering more variety and faster processing.

Buy Adobe Audition if:
You are a sound designer, musician, recording engineer, mastering engineer, or other audiocentric professional and you need an all-in-one toolset for professional audio production.

Buy Adobe Soundbooth if:
You are a designer or developer with little or no background in audio and you need an intuitive, easy-to-use software tool to help you quickly accomplish everyday audio tasks.


Part 1
www.adobe.com