Monday, September 21, 2009

Korg Legacy Collection v1.9.9.VST-AMPLiFY.rar




The Korg Legacy Collection series are packages that contain software versions of classic Korg synthesizers. Delivering perfect replications of the original sounds while adding many new functions that open up fresh possibilities, these software synthesizers have received the acclaim that you would expect from Korg, the original manufacturer.


Proprietary CMT technology reproduces the circuitry performance of the original synthesizer
The Polysix, MS-20 and new Mono/Poly software synthesizers use Korg’s proprietary CMT (Component Modeling Technology) to perfectly reproduce their sound and response. CMT reproduces not only the sound but also the character and response curve of each parameter, so that the results are completely faithful to the original model. Finally the complex sound and parameter response can be perfectly reproduced, delivering all the power and subtlety that up until now only true analog synthesis could provide.

Mono/Poly software synthesizer
The Mono/Poly, a four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities as well as their price, these two instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as one of Korg’s best synthesizers, with a number of unique characteristics.

Polysix software synthesizer
The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day in dance tracks and remixes.

MS-20 software synthesizer
Since the MS-20 went on sale in 1978, this semi-modular monophonic synthesizer has enjoyed unbroken popularity for its thick and solid sound, aggressive analog filters, and inexhaustible potential for creative patching . It has become a "must-have" for modern dance and electronica artists, with original hardware units commanding a top price when found on the used market.

Use the MS-20, Polysix, and Effects As a Single Software Synthesizer
Legacy Cell is a completely new idea not available on any previous software synthesizer. It's a revolutionary "combination structure" that lets you use one of five different combinations of CMT-based synthesizers (MS-20 + Polysix, 2 x MS-20, 2 x Polysix, 1 x MS-20, or 1 x Polysix) plus two insert effects and two master effects --- all as a single software synthesizer that delivers powerful new sounds and textures!

Legacy Cell provides 256 different performance programs including controller assignments. The programs include spacious pads that shift over time thanks to the advanced modulations possibilities, fat sounds that take advantage of the new Unison parameter, and phrase-type programs that combine the MS-20 and Polysix software synthesizers to play a kick, bass, and pad from a single key. Korg's highly respected sound designers have created programs that match classic Korg sounds to today's music scene.


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Friday, September 18, 2009

IK Multimedia Amplitube Jimi Hendrix v1.0.3 VST RTAS Incl. KeyGen-DYNAMiCS



Hendrix’s sound is a unique mix of high volume, feedback control and a exclusive, personal usage of guitar effects which was a breakthrough for its time. By then Hendrix was one of the first guitarists to experiment with the full expressive possibilities of electronic effects, which were a fundamental part of his sound. Electronic effects were a technological novelty in the 60’s with semiconductor electronics in its infancy and the very first commercially available germanium transistors introduced in the mid 50’s gradually replacing tubes in the next two decades.
Features:
  • Includes models of extremely rare and collectible vintage stomp boxes, amp heads and cabinets such as Marshall® 1959 JTM100™ Super Lead, Fender® Bassman®, Fender® Dual-Showman®, Fender® Twin Reverb®, Roger Mayer™ Axis fuzz, Mosrite™ Fuzzrite®, Arbiter® Fuzz Face®, Roger Mayer™ Octavia, and more
  • A legendary sound that has marked the evolution of modern rock guitar and has influenced some of the greatest guitarists of our time
  • 5 separate modules: tuner, configurable Stomp pedal board, Amp head, Cabinet + Mic, and Rack Effects
  • 9 Stomp effects
  • 4 Amp models
  • 7 cabinet and 5 microphone models
  • 4 post-amp FX Racks
  • 2 fully configurable rigs
  • Digital tuner
  • Stand-alone and VST/AU/RTAS plug-in for all popular DAWs
  • Includes SpeedTrainer™ for playing along with your favorite recordings
  • Includes AmpliTube X-GEAR for seamless integration with all the other “Powered by AmpliTube” products, MIDI control and StompIO integration
  • Powered by AmpliTube® with exclusive DSM™ (Dynamic Saturation Modeling) technology for award-winning sound & realistic feel
Release Name: IK.Multimedia.Amplitube.Jimi.Hendrix.v1.0.3.VST.RTAS.Incl.KeyGen-DYNAMiCS
Size: 53.04 MB





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WaveGenix.4A-Studio.Pro.v6.20-ViP


Frustrated by poor dynamic range compressors? Tried them all? What's the BEST solution NOW?

4A-Studio is the world's best dynamic range compressor, see why you can't live without it.
  • More free time for your family
  • Easier studio contract fees
  • Full autopilot on 1000s of sounds
  • Blackbox "stress-free" analysis
  • Unbeaten intelligent POWER
  • Perfect album-wide level balancing
  • Clean, professional results

You'll enjoy 4A-Studio because you're begging for a sweet spot.




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Tuesday, September 15, 2009

ChineeKong V2.9 -PEACE OUT



ChineeKong V2+ is a a sample-based Chinese percussion instrument that comes with over 850 MB of sample content and brings you authentic percussion sounds originated from various parts of China.

Features:

  • 850 MB Chinese percussion sampleset featuring six main categories (36 subsets):
    1. Luo (Gongs)
    2. NaoBo (Cymbals)
    3. GuZu (Drum sets)
    4. BanBang (Wood Percussion)
    5. ZhongLing (Bells)
    6. QiTa (MISC)
  • 10 channel multi-timbral.
  • 10 independent outputs.
  • Master effect (bypass-able).
  • All samples are recorded in 24bit, 44.1khz.
  • The Playback samplerate is 16bit, 44.1khz.




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Monday, September 14, 2009

Avoid Performance Royalty Organizations (PRO)

Most artists may balk at this, reading the shiny pamphlets, flyers, postcards, binders, or being invited to tons of “exclusive parties” from these organizations. The current ones are known as:

  • ASCAP
  • BMI
  • SESAC
  • HarryFox Agency

Why should you avoid them? First, they reduce your potential exposure by demanding exorbitant amounts of money from independent radio firms, who have a pure intention of promoting your music. Many who don’t have this cash. In addition, they all tend to be directly affiliated with the RIAA, which means bad news for you.

If you want maximum exposure for your music, don’t sign with them. Allow radio stations to play your music, without restriction, without royalty. Trust me on this one. Your band goes much further. I see more and more independent artists climbing the charts faster because of it, and most Radio Stations are more partial to those who don’t charge them and allow them to do what they are there to do.

Also, by not being with a PRO means you’re in direct control of licensing for TV, Movies, and more.

In my opinion, let businesses play your music on their phones, and in their locations. Allow radio stations to promote you without royalty. Allow TV station news companies to play your tracks. They all get asked what they are playing, if the listener enjoys it, which means more sales for you. I can’t tell you how many times when people have called my office going “I love that song on your hold, what’s it called, and who did it?”.

While PRO’s may seem to have your back on Copyright, they are For-Profit agencies, there to make a profit to their shareholders. Some shareholders are other Artists, some are RIAA members.

Even the way PRO’s handle royalties should be outright illegal. With some, only the Top Artists get money, and believe it or not, those checks are cut to, their record label. So if you’re not as popular as say Madonna, good luck getting anything out of a PRO.

Now, what I meant in the prior one about a live band paying royalties is this. There is performance royalties that are subject to you, if you are not careful about producers and assisting musicians. So if you perform a track, expect a good chunk of change to go to these PRO’s.

They don’t sound too good now do they? But they were so convincing? That’s what they are there to do. Their representatives are sales professionals. Think about it.

Music Business Plan

Saturday, September 12, 2009

Steinberg Cubase 5


Product Description

Cubase 5 comes with fully integrated new tools for working with loops, beats and vocals, such as LoopMash and VariAudio, combining with new composition features and the first VST3 convolution reverb to take musical creativity to new heights. With stunning innovations and additional enhancements that boost productivity and performance, Cubase 5 represents the absolute cutting edge in digital audio workstations.
VariAudio and PitchCorrect provide integrated intonation editing for monophonic vocal recordings. Groove Agent ONE and Beat Designer change the game for beat creation, while the revolutionary LoopMash seamlessly blends loops, creating unimaginable variations. VST Expression tools for composers combine with the first VST3 convolution reverb and improved automation for more dynamic mixes. And an array of additional enhancements and 64-bit technologies boost performance all designed to inspire further musical creativity and productivity.

Product Features

  • Creative Composing and Sequencing - Cubase 5 offers probably the most feature-rich MIDI sequencing toolset in the audio industry today.
  • Peerless Recording and Editing - Provides you all the tools you need to record and edit with peerless precision and speed.
  • Pure Mixing - Provides a complete mixing environment that not only equips you to produce stunning mixes in stereo or surround, but allows you to tailor your mixing workflow to suit your own personal artistic and creative vision. Outstanding Effects - An impressive arsenal of high-quality real-time effect processors, including EQ, Dynamics, Modulation, Reverb, Filters, Distortion and special effects.
  • Premium Instruments and Content - Cubase 5 delivers the richest virtual instruments ever right out of the box including the revolutionary interactive loop synthesizer LoopMash and the powerful drum sampler Groove Agent ONE.
  • An array of additional new ways of working faster, with added performance that takes advantage of new technologies.




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Friday, September 11, 2009

Avoid Digital Rights Managed (DRM) Distribution


The moral of this is simple. If you restrict your fans, you lose them. Don’t try and “prevent piracy” by releasing lossy, horribly encoded audio tracks from iTunes. Consider distributing 320 Kbps MP3 files or even better, distribute in FLAC. No matter what anyone says, AAC+ is not a lossless format, and fidelity is lost when you purchase from these sites.

Learn more about DRM and it’s damaging effects to the consumer and retail side of the Music Industry at Defective By Design.org


Music Business Plan